Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Peter Norrish"'
Autor:
John Clum, Lionel Pilkington, Alan Hughes, Brian Parker, John Bak, Peter Norrish, David Krasner, Jeanette Malkin
Publikováno v:
Modern Drama. 38:131-144
Amelia Howe Kritzer, The Plays of Caryl Churchill, reviewed by John M. Clum Stephen Watt, Joyce, O'Casey, and the Irish Popular Theater, reviewed by Lionel Pilkington Richard Foulks, ed., British Theatre in the 1890s: Essays on Drama and the Stage.,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c26d3d842fc31bc3ffdce56c3195a988
https://doi.org/10.3138/md.38.1.131
https://doi.org/10.3138/md.38.1.131
Autor:
Peter Norrish
Publikováno v:
Modern Drama. 38
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d89ba3edb82db25dc85bf01977855241
https://doi.org/10.1353/mdr.1995.0014
https://doi.org/10.1353/mdr.1995.0014
Autor:
Cynthia Running-Johnson, Peter Norrish
Publikováno v:
Theatre Journal. 42:530
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::37ef7ec8bebae80502b1c6cfeea38157
https://doi.org/10.2307/3207747
https://doi.org/10.2307/3207747
Publikováno v:
The Modern Language Review. 85:988
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0062bb9f367d46f0a9664b9225489461
https://doi.org/10.2307/3732735
https://doi.org/10.2307/3732735
Autor:
Peter Norrish, David Bradby
Publikováno v:
The Modern Language Review. 85:987
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ead52c788fbb723279dbce3ec0a9baf2
https://doi.org/10.2307/3732734
https://doi.org/10.2307/3732734
Autor:
Peter Norrish
Publikováno v:
Modern Drama. 26:320-330
T.J. Donahue and J.-J. Daetwyler have recently given various interpretations of the symbolism within the ritual of Arrabal's plays. Looking at what is generally considered the best of them, L'Archirecre er l' Empereur d'Assyrie (I966), for instance,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b851bec16f41f0486eaf1837eabc4831
https://doi.org/10.3138/md.26.3.320
https://doi.org/10.3138/md.26.3.320
Autor:
Peter Norrish
Publikováno v:
New Tragedy and Comedy in France 1945–70 ISBN: 9781349067824
From the dramatisation of ideas in Sartre and Camus to the irreverent rituals of Genet and Arrabal, the period from 1945 to 1970 in France offered extraordinarily rich experimentation in new versions of both tragedy and comedy. This involved startlin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c11cea8fa76e0f950bb6b025d06e56cc
https://doi.org/10.1007/978-1-349-06780-0_10
https://doi.org/10.1007/978-1-349-06780-0_10
Autor:
Peter Norrish
Publikováno v:
New Tragedy and Comedy in France 1945–70 ISBN: 9781349067824
1944 deserves to be featured as the stepping-stone into the quarter-century of change we shall be considering, for it was the year of Anouilh’s Antigone and Sartre’s Huis clos (No Exit or In Camera), two of the most successful French plays of thi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3326ece030b7d0641cedd443efbbc0bf
https://doi.org/10.1007/978-1-349-06780-0_2
https://doi.org/10.1007/978-1-349-06780-0_2
Autor:
Peter Norrish
Publikováno v:
New Tragedy and Comedy in France 1945–70 ISBN: 9781349067824
The name of Arthur Adamov (1908-1970) was once linked very closely with those of Beckett and Ionesco, the three of them being considered the outstanding dramatists of the New Theatre, having, what is more, similar views of the world. As in most other
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::06ec172ef0ba58372603b25e4b98fe09
https://doi.org/10.1007/978-1-349-06780-0_7
https://doi.org/10.1007/978-1-349-06780-0_7