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pro vyhledávání: '"Peter Mercer-Taylor"'
Autor:
Peter Mercer-Taylor
Publikováno v:
Gems of Exquisite Beauty
This chapter centers on the 1819 Original Collection compiled by Arthur Clifton, an English musician who had emigrated to Baltimore in 1817 (changing his name, from Antony Corri, in the process). Though not a commercial success, this pathbreaking vol
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::77083360c673350ff43ed0ac5e4d6134
https://doi.org/10.1093/oso/9780190842796.003.0003
https://doi.org/10.1093/oso/9780190842796.003.0003
Autor:
Peter Mercer-Taylor
Publikováno v:
Gems of Exquisite Beauty
THIS IS NOT an autobiography. This book’s central characters were in their graves decades before the Oklahoma in which I grew up—far from the American Northeast that was home to most of them—even achieved statehood.1 But the American musical jo
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https://doi.org/10.1093/oso/9780190842796.003.0001
https://doi.org/10.1093/oso/9780190842796.003.0001
Autor:
Peter Mercer-Taylor
Publikováno v:
Gems of Exquisite Beauty
The 1822 Boston Handel and Haydn Society Collection of Church Music contains 21 psalm and hymn tunes drawn from the work of Gluck, Haydn, Mozart, and Beethoven, all based closely on adaptations already circulating in London. The volume represented a
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https://doi.org/10.1093/oso/9780190842796.003.0004
https://doi.org/10.1093/oso/9780190842796.003.0004
Autor:
Peter Mercer-Taylor
IN THE DECADES leading up to the Civil War, the realms of classical music, Protestant Christian song, and mass-market popular music vibrantly converged in a single American repertoire. That convergence, the topic of this book, was temporary. Few of t
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https://doi.org/10.1093/oso/9780190842796.003.0007
https://doi.org/10.1093/oso/9780190842796.003.0007
Autor:
Peter Mercer-Taylor
In the decades leading up to the Civil War, many Americans first encountered European classical music through excerpts captured in the form of psalm and hymn tunes. Psalmody was the United States’ best-selling form of popular music through the earl
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https://explore.openaire.eu/search/publication?articleId=doi_________::fc1adf96b0abc1ae5bcb2c867321f159
https://doi.org/10.1093/oso/9780190842796.001.0001
https://doi.org/10.1093/oso/9780190842796.001.0001
Autor:
Peter Mercer-Taylor
Publikováno v:
Gems of Exquisite Beauty
The psalmodic adaptation of classical music constitutes a distinctive creative act in instances in which we find adapters not simply importing excerpts essentially unchanged (a chiefly curatorial service), but making substantive musical decisions to
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https://explore.openaire.eu/search/publication?articleId=doi_________::7fc46414c01746cd2017428871e1d0a1
https://doi.org/10.1093/oso/9780190842796.003.0006
https://doi.org/10.1093/oso/9780190842796.003.0006
Autor:
Peter Mercer-Taylor
Publikováno v:
Gems of Exquisite Beauty
Christian worship factored centrally in the American circulation of psalm and hymn tunes in the 19th century, but the repertoire traveled far and wide beyond actual church services. Musical societies, conventions, singing schools, social gatherings o
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https://doi.org/10.1093/oso/9780190842796.003.0002
https://doi.org/10.1093/oso/9780190842796.003.0002
Autor:
Peter Mercer-Taylor
Publikováno v:
Gems of Exquisite Beauty
The vast expansion of the American music-making infrastructure through the 1840s brought with it a vast expansion of interest in psalmodic adaptations of classical music. Hundreds of such adaptations appeared in a gathering wave of activity that cres
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::83e25d210d4d86e5d45702a9255386ad
https://doi.org/10.1093/oso/9780190842796.003.0005
https://doi.org/10.1093/oso/9780190842796.003.0005
Autor:
Peter Mercer-Taylor
In the decades leading up to the Civil War, most Americans probably encountered European classical music primarily through hymn tunes. Hymnody was the most popular and commercially successful genre of the antebellum period in the United States, and t