Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Petar Mitric"'
Autor:
Petar Mitric
Publikováno v:
Studies in European Cinema. :1-16
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ae16923f527cb9989903b4dd40350fbd
https://doi.org/10.1080/17411548.2022.2115188
https://doi.org/10.1080/17411548.2022.2115188
Publikováno v:
European Audiovisual Policy in Transition ISBN: 9781003262732
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c51631fe93ef1897c7ad1021e95cc282
https://doi.org/10.4324/9781003262732-15
https://doi.org/10.4324/9781003262732-15
Autor:
Petar Mitric
Publikováno v:
Studies in Eastern European Cinema. 12:64-82
Only ten years ago, producers in Eastern Europe could apply to one-two sources of production financing in their home countries. If they failed to receive financing from these sources, they would cl...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8a5b4f27f7486f119d622838d6b7ce0c
https://doi.org/10.1080/2040350x.2020.1800184
https://doi.org/10.1080/2040350x.2020.1800184
Autor:
Petar Mitric
Publikováno v:
Journal of Scandinavian Cinema. 10:151-167
The article introduces the notion of the European financial co-production, characterized by the mandatory cultural value of the script and empowerment of the minority co-producer through risk-sharing in financing. Eurimages, the Council of Europe’s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6f29db617e49d6dde4789627489efb64
https://doi.org/10.1386/jsca_00020_1
https://doi.org/10.1386/jsca_00020_1
Autor:
Tamara Kolaric, Petar Mitrić
Publikováno v:
Cinéma & Cie, Vol 23, Iss 41 (2024)
European co-productions are usually the most ambitious European films, combining multiple sources of financing and targeting both transnational audiences and critical acclaim. However, their success with audiences is often quite limited in terms of a
Externí odkaz:
https://doaj.org/article/9a408e20eed540579baa5704288950fa
Autor:
Petar Mitric
Publikováno v:
European Film and Television Co-production ISBN: 9783319971568
The objective of this chapter is to provide an analysis of the fundamental reasoning behind European co-production treaties by looking back at its historical development and by proposing a possible industry-based typology of the treaties. In doing so
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5a051bae0be9ab1a0a614828fc87b4b9
https://doi.org/10.1007/978-3-319-97157-5_4
https://doi.org/10.1007/978-3-319-97157-5_4
Autor:
Petar Mitric
Publikováno v:
European Film and Television Co-production ISBN: 9783319971568
The Oscar-winning film Ida (2013) by Pawel Pawlikowski is one of the few European art house films that are both festival and box-office hits. We talked with two of the film’s producers Ewa Puszczynska (Poland) and Sofie Wanting Hassing (Denmark) ab
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8e15fa6cfe31cca2c620a4f1e91ebfdc
https://doi.org/10.1007/978-3-319-97157-5_21
https://doi.org/10.1007/978-3-319-97157-5_21
Publikováno v:
European Film and Television Co-production ISBN: 9783319971568
This chapter provides an overview of the field of European film and television co-production and outlines the themes and methodological approaches employed within the volume European Film and Television Co-production: Policy and Practice. It describe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::93253ff05e512f010eb193bb7a3fc5b6
https://doi.org/10.1007/978-3-319-97157-5_1
https://doi.org/10.1007/978-3-319-97157-5_1
Autor:
Petar Mitric
Publikováno v:
European Film and Television Co-production ISBN: 9783319971568
Isabelle Fauvel , the founder of the Paris-based company Initiative Film, has been consulting scriptwriters, directors and producers for 25 years, from the earliest stages of their film projects. Thanks to the vast network of international contacts t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c43440adeea393b07ec2fa116f31ed01
https://doi.org/10.1007/978-3-319-97157-5_18
https://doi.org/10.1007/978-3-319-97157-5_18
This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of