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Autor:
Persyn, Leonie
Publikováno v:
Performance Research; Dec2023, Vol. 28 Issue 8, p24-33, 10p
Autor:
Persyn, Leonie
Publikováno v:
Documenta: Mededelingen van het Documentatiecentrum voor Dramatische Kunst Gent-Tijdschrift voor Theater; 2023, p159-181, 23p
Autor:
Persyn, Leonie
Publikováno v:
DOCUMENTA
Autor:
Persyn, Leonie
Publikováno v:
GLOBAL PERFORMANCE STUDIES
This is a reworked version of the first letters to Polish/Belgian choreographer Kinga Jaczewska, which I presented at PSi #25 in Calgary. The letter is a dramaturgical reflection on the possibilities of a small sonic intervention in Jaczewska’s per
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______330::13f826e89dab4c58d968c453a3b207a3
https://biblio.ugent.be/publication/8708403/file/8709885
https://biblio.ugent.be/publication/8708403/file/8709885
Autor:
Persyn, Leonie
Publikováno v:
DIACRÍTICA
Diacrítica; Vol. 33 No. 1 (2019): What is artistic research?: Presuppositions, Practices and Problematizations; 123-142
Diacrítica; Vol. 33 N.º 1 (2019): O que é a investigação artística?: Pressupostos, Práticas e Problematizações; 123-142
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP
Diacrítica; Vol. 33 No. 1 (2019): What is artistic research?: Presuppositions, Practices and Problematizations; 123-142
Diacrítica; Vol. 33 N.º 1 (2019): O que é a investigação artística?: Pressupostos, Práticas e Problematizações; 123-142
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP
O que é que a noção de dramaturga pode acrescentar à posição de investigadora? Neste manifesto, exploro o lugar da/o investigador/a-dramaturgo/a como uma abertura metodológica com estratégias de diferentes campos. Proponho a/o investigador/a-
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::05c4531a9125728af2f03d1972287d8d
https://biblio.ugent.be/publication/8639138/file/8640150
https://biblio.ugent.be/publication/8639138/file/8640150
Publikováno v:
DOCUMENTA
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______330::5f577f8b5fe55e7ea922292242674c90
https://biblio.ugent.be/publication/8578668/file/8678521
https://biblio.ugent.be/publication/8578668/file/8678521
Autor:
Persyn, Leonie
Publikováno v:
IFTR 2018 World Congress : Theatre and migrations, book of abstracts
In the article ‘Installing an aesthetic moment. Sound as a boundary-crossing iteration for itinerancy’, I extensively explored the consequences and possibilities of a heautonomous relation, for the phenomenological experience of the audience.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______330::f850988100d3d5ba76e3054145a31fe4
https://biblio.ugent.be/publication/8618482
https://biblio.ugent.be/publication/8618482
Autor:
Persyn, Leonie
Publikováno v:
Choreographic Practices; Dec2019, Vol. 10 Issue 2, p197-212, 16p
Publikováno v:
DOCUMENTA
Embodied music cognition provides a valuable and comprehensive research paradigm within systematic musicology to describe and explain musical sense-making. The basic claim underlying musical embodiment is that subjective meaning, in its broadest sens