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pro vyhledávání: '"Pennacchia Maddalena"'
Autor:
Pennacchia, Maddalena
Publikováno v:
Multicultural Shakespeare: Translation, Appropriation and Performance. 20(1):37-49
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=835649
Akademický článek
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Autor:
Pennacchia, Maddalena, Deriu, Fabrizio
Publikováno v:
Mimesis Journal, Vol 9, Iss 2, Pp 129-144 (2021)
Nel cuore di Villa Borghese sorge, fin dal 2003, la replica di un teatro elisabettiano, il Silvano Toti Globe Theatre, nato da una felice intuizione di Gigi Proietti che lo propose come dono alla città di Roma in occasione delle celebrazioni per i c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::51d02612c0c95f320df65ec13dabec31
http://journals.openedition.org/mimesis/2146
http://journals.openedition.org/mimesis/2146
Autor:
Pennacchia Maddalena
A number of scholars have rightly remarked that Shakespeare’s re-use of classical antiquity was functional rather than devotional, fashionable rather than experimental, and, as always in his career as a playwright, the Bard adapted for the stage ma
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::0b9685a60362aa75f3ea8585fa037fd3
https://hdl.handle.net/11590/339772
https://hdl.handle.net/11590/339772
Publikováno v:
Lingue e Linguaggi; 2021 Special issue, Vol. 45, p7-22, 16p
Publikováno v:
Cahiers Élisabéthains; July 2022, Vol. 108 Issue: 1 p35-52, 18p
Publikováno v:
Cahiers Élisabéthains; July 2022, Vol. 108 Issue: 1 p136-151, 16p
Autor:
pennacchia maddalena
Writing about Shakespeare’s romances, Northrop Frye defined them “popular plays”, meaning that they come down “to the audience response at its most fundamental level” (Frye 1986: 154). More interestingly yet, Frye stated that “there’s a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::0e661f5ba7bd05a00f9f203882e1e062
https://hdl.handle.net/11590/327526
https://hdl.handle.net/11590/327526