Zobrazeno 1 - 10
of 11
pro vyhledávání: '"Pedro Alves Da Veiga"'
Publikováno v:
Vista, Iss 14 (2024)
A utilização da realidade virtual (RV) na formação de bombeiros é uma inovação promissora, com o potencial de transformar métodos de treino tradicionais, ao permitir simulações de cenários de alto risco de forma controlada e segura. Este a
Externí odkaz:
https://doaj.org/article/66a7b1b969eb4231bf82531d022cb32b
Publikováno v:
Journal of Spatial and Organizational Dynamics, Vol V, Iss 3, Pp 222-238 (2017)
This article seeks to demonstrate the impact three economic concepts that gained traction in the last decades of neoliberalism – experience, attention and ubiquity – have caused in the current role of digital arts and artists in society, both on
Externí odkaz:
https://doaj.org/article/bf0df49192814451811ae5440bc90bb3
Autor:
Pedro Alves da Veiga
Publikováno v:
Journal of Science and Technology of the Arts, Vol 9, Iss 3 (2017)
Generative art can be used for creating complex multisensory and multimedia experiences within pre-determined aesthetic parameters, characteristic of the performing arts and remarkably suitable to address Moholy-Nagy’s Theatre of Totality vision. I
Externí odkaz:
https://doaj.org/article/65e7c809f3d84ce8aeb2552da82d2985
Autor:
Pedro Alves da Veiga
Publikováno v:
International Journal of Art, Culture, Design, and Technology. 11:1-19
Patient Zer0 is an interactive generative artwork, designed around the poem “In Memory of Anyone Unknown to Me” by Elizabeth Jennings and created during the first confinements imposed by the COVID-19 pandemic in 2020. While it has been showcased
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f8704ccc35e08cd50223136eaf217f83
https://doi.org/10.4018/ijacdt.314953
https://doi.org/10.4018/ijacdt.314953
Autor:
Pedro Alves da Veiga
Este artigo propõe a exploração das intersecções da imagem e do som, e da estética e da poética, nos novos formatos artísticos digitais generativos de índole ativista. Para isso, analisa a criação de dois artefactos computacionais audiovis
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e2b2e4c77676bcc7fdaa95994b339f35
https://hdl.handle.net/10400.2/13429
https://hdl.handle.net/10400.2/13429
Autor:
Pedro Alves da Veiga
This article addresses and questions the magic-mirror phenomenon, popularised by current smartphone selfie and video capture apps. This phenomenon stimulates the illusion of control over the appearance of the face, either through applying semi-automa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e4ed196bc87e2161d911b5e2a567e485
https://hdl.handle.net/10400.2/12428
https://hdl.handle.net/10400.2/12428
Autor:
Pedro Alves da Veiga
Publikováno v:
CIÊNCIAVITAE
This article focuses on the overproduction of aestheticised digital content, a testament to social, cultural or recreational experiences, paradoxically short-lived and forgotten. These public aestheticised digital records of social interactions, inte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::61fa3f50d235486f3073c73a2b5c03b1
https://hdl.handle.net/10400.2/12445
https://hdl.handle.net/10400.2/12445
The aim of this article is to identify and discuss the evolution fostered by the use of digital technologies in the instrumental music performance. We limit the focus to the musical performance of instruments identified as belonging to the orchestral
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ab8e1b12cfb418848c1ad2e4ab39a19c
https://doi.org/10.1109/ARTeFACTo57448.2022.10061257
https://doi.org/10.1109/ARTeFACTo57448.2022.10061257
Autor:
Pedro Alves da Veiga
Publikováno v:
CIÊNCIAVITAE
Apresenta-se uma proposta para a construção de laços comunitários por meio da prática artística participativa, apoiada num estudo de caso, no qual um curador desenvolve um projeto artístico de base comunitária em três eixos conceituais: terr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::8ebde7a95aa26008043c29f8b7d8bb29
https://hdl.handle.net/10400.2/12443
https://hdl.handle.net/10400.2/12443
Publikováno v:
BASE-Bielefeld Academic Search Engine
CIÊNCIAVITAE
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Journal of Spatial and Organizational Dynamics, Vol V, Iss 3, Pp 222-238 (2017)
CIÊNCIAVITAE
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Journal of Spatial and Organizational Dynamics, Vol V, Iss 3, Pp 222-238 (2017)
This article seeks to demonstrate the impact three economic concepts that gained traction in the last decades of neoliberalism - experience, attention and ubiquity - have caused in the current role of digital arts and artists in society, both on and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::173b574f897863cfaab7b9fbb99fb635
https://doaj.org/article/bf0df49192814451811ae5440bc90bb3
https://doaj.org/article/bf0df49192814451811ae5440bc90bb3