Zobrazeno 1 - 5
of 5
pro vyhledávání: '"Paweł Antoniuk"'
Publikováno v:
EURASIP Journal on Audio, Speech, and Music Processing, Vol 2024, Iss 1, Pp 1-26 (2024)
Abstract Binaural audio recordings become increasingly popular in multimedia repositories, posing new challenges in indexing, searching, and retrieval of such excerpts in terms of their spatial audio scene characteristics. This paper presents a new m
Externí odkaz:
https://doaj.org/article/d581becc5d7d4b5b80316f9a73777b1d
Publikováno v:
EURASIP Journal on Audio, Speech, and Music Processing, Vol 2022, Iss 1, Pp 1-29 (2022)
Abstract One of the greatest challenges in the development of binaural machine audition systems is the disambiguation between front and back audio sources, particularly in complex spatial audio scenes. The goal of this work was to develop a method fo
Externí odkaz:
https://doaj.org/article/efbd14b61ade439c8b205f5b93961651
Publikováno v:
Applied Sciences, Vol 12, Iss 3, p 1569 (2022)
The automatic localization of audio sources distributed symmetrically with respect to coronal or transverse planes using binaural signals still poses a challenging task, due to the front–back and up–down confusion effects. This paper demonstrates
Externí odkaz:
https://doaj.org/article/a270bbdc87e041a3921d76257fc6d645
Publikováno v:
Applied Sciences, Vol 10, Iss 17, p 5956 (2020)
The purpose of this paper is to compare the performance of human listeners against the selected machine learning algorithms in the task of the classification of spatial audio scenes in binaural recordings of music under practical conditions. The thre
Externí odkaz:
https://doaj.org/article/cda656af25ec493986c6f7c87a64aaf3
Publikováno v:
Applied Sciences
Volume 10
Issue 17
Applied Sciences, Vol 10, Iss 5956, p 5956 (2020)
Volume 10
Issue 17
Applied Sciences, Vol 10, Iss 5956, p 5956 (2020)
The purpose of this paper is to compare the performance of human listeners against the selected machine learning algorithms in the task of the classification of spatial audio scenes in binaural recordings of music under practical conditions. The thre