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pro vyhledávání: '"Pavoni, Raffaele"'
Autor:
Pavoni, Raffaele
The refugee’s gaze is always plural and not only able to grasp, but also to promote the different dimensions of culture: an event, a landscape, a human activity unfold in front of their gaze, with the memory of a different environment, far away in
Externí odkaz:
https://library.oapen.org/handle/20.500.12657/55540
Autor:
Pavoni, Raffaele
Publikováno v:
Cinergie, Vol 8, Iss 16, Pp 27-38 (2019)
“What? You did not include any reference to the Tahrir Square uprising?” In the final scene of La Vierge, les Coptes et Moi (Namir Abdel Messeeh, 2012), an autobiographical film in which the director, an Egyptian Copt residing in France, stages t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::67fe1fc939d3128b3e73c9572cbb91f5
https://cinergie.unibo.it/article/view/8505
https://cinergie.unibo.it/article/view/8505
Autor:
Pavoni, Raffaele
Publikováno v:
Cinergie, Vol 7, Iss 13, Pp 77-87 (2018)
With the migration of cinema towards other screens, real or presumed, cinematographic screen has been the object of phenomena variously defined in terms of relocation, gulliverization, dissemination. In each of these meanings, the concept of screen i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e153d2195fe8939818ce8d2fb4f44cb5
https://cinergie.unibo.it/article/view/7881
https://cinergie.unibo.it/article/view/7881
Autor:
Pavoni, Raffaele
In che modo è possibile rappresentare, cinematograficamente, la quotidianità? La questione è complessa e riguarda la natura del medium stesso. Le recenti evoluzioni tecnologiche dei dispositivi in grado di produrre, condividere e riprodurre immagi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::403b13742166cae35091f47016b7fa8b
Autor:
Pavoni, Raffaele
Publikováno v:
H-ermes: Journal of Communication; 2018, Vol. 13, p131-166, 35p