Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Pavel Rivilis"'
Autor:
PÎSLARI SNEJANA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 1(34), Pp 89-93 (2019)
This article focuses on the analysis of several peculiarities of Pavel Rivilis’s organistic thinking in the orchestral transcription of J.S. Bach’s Ciaconne, principles that are implemented by the composer through the use of slow and rare timbre
Externí odkaz:
https://doaj.org/article/e448d00f9a0b48c6a71761b72b2b3321
Autor:
Pîslari, Snejana
Publikováno v:
Studiul artelor și culturologie: istorie, teorie, practică / Study of Arts and Culturology: History, Theory, Practice. (1(30)):19-23
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=813058
Publikováno v:
Studiul artelor și culturologie: istorie, teorie, practică / Study of Arts and Culturology: History, Theory, Practice. (2(31)):55-59
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=799253
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 2(31), Pp 55-59 (2017)
The Bagatelle has been known since the early 18th century and strengthened as an instrumental miniature genre in the creation of Beethoven. The genre aspects of its history and theory are based on the analysis of Four bagatelles by P. Rivilis. The ap
Externí odkaz:
https://doaj.org/article/c33854b845b141a284b4b3b2badfe301
Autor:
BEREZOVICOVA TATIANA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 1(24), Pp 111-118 (2015)
The present article is the first attempt to trace some aspects of the personality and creative activity of Snejana Pîslari — a representative of the „middle-aged generation” of the composers from the Republic of Moldova. Graduate of the Academ
Externí odkaz:
https://doaj.org/article/d7a763e389254eb1a6fabfb13dc0b30a
Autor:
PÎSLARI SNEJANA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 1(24), Pp 99-105 (2015)
This article focuses on the analysis of forms of contrasts realization in the symphonic works of Pavel Rivilis. In these pieces, the relief expression and the background sound are both realized by means of spécial, uncommon in the compositional prac
Externí odkaz:
https://doaj.org/article/a8b05fa75164495b9207979acc11d402