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pro vyhledávání: '"Paul Sanden"'
Autor:
Paul Sanden
Publikováno v:
Current Musicology, Iss 88 (2009)
Live music does not exist without its recorded other. In other words, the concept of liveness in music was unknown until there was something not live-recordings-with which to compare it. Sarah Thornton describes the conventional ideology of liveness,
Externí odkaz:
https://doaj.org/article/2259f56ef4ae4dbfb3324148b07049a7
Autor:
Paul Sanden
Publikováno v:
Popular Music. 31:45-68
This article presents the concept of virtual liveness and demonstrates its relevance in an analysis of ‘Vane’, one of John Oswald's plunderphonic pieces. It argues that even when encountering a piece of music that lacks a physically co-present au
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::694e4c2596bb6365ab3426efbf2f607a
https://doi.org/10.1017/s0261143011000456
https://doi.org/10.1017/s0261143011000456
Autor:
Paul Sanden
This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, wh
