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Akademický článek
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Autor:
Wit Pietrzak
Publikováno v:
Text Matters, Iss 11, Pp 51-63 (2021)
The essay explores Paul Muldoon’s elegy for the fellow Northern Irish poet Ciaran Carson with a view to showing that “The Triumph” seeks to evoke a ground where political, cultural and religious polarities are destabilized. As the various inter
Externí odkaz:
https://doaj.org/article/a21d2bc7ffa244e388e66d5051ff9105
Autor:
Pietrzak, Wit
Publikováno v:
Text Matters: A Journal of Literature, Theory and Culture. (11):51-63
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1009549
Autor:
James Costello O'Reilly
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 54-67 (2021)
Paul Muldoon’s lectures as Professor of Poetry at Oxford demonstrate a sustained interest in how poems might be said to “end”. On several occasions, he returns to Giorgio Agamben’s short essay “The End of the Poem” and its argument that a
Externí odkaz:
https://doaj.org/article/839a423b48f14a01aa0630d3b9539334
Autor:
Ruben Moi
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Vol 49, Iss 1 (2022)
«Pangur Bán» is probably the best know poem in Celtic studies, and a poem that tends to become increasingly more popular to audiences outside of Ireland. However, the anonymous, medieval poem has been cherished throughout history for a wide range
Externí odkaz:
https://doaj.org/article/a8755b68446441dbb926002e037e6022
Autor:
Guilherme Bernardes
Publikováno v:
Belas Infiéis, Vol 9, Iss 2, Pp 289-293 (2020)
Paul Muldoon (1951 – ) é um poeta norte-irlandês de origem católica nascido em Portdown, condado de Armagh. Integrou junto a Seamus Heaney, Michael Longley e Ciaran Carson, dentre outros, o chamado Belfast Group, organizado por Philip Hobsbaum.
Externí odkaz:
https://doaj.org/article/c6b18b4a97f645cc83fac3516c837e74
Autor:
Alonso, Alex, author
Publikováno v:
Paul Muldoon in America : Transatlantic Formations, 2021.
Externí odkaz:
https://doi.org/10.1093/oso/9780198859659.003.0001
Autor:
Pollard, Natalie, author
Publikováno v:
Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century : Fugitive Pieces, 2020, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780198852605.003.0007