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pro vyhledávání: '"Paul Grimstad"'
Autor:
Paul Grimstad
American pragmatism is premised on the notion that to find out what something means, look to fruits rather than roots. But, as Paul Grimstad shows, the thought of the classical pragmatists is itself the fruit of earlier experiments in American litera
Autor:
Paul Grimstad
Publikováno v:
Conversations: The Journal of Cavellian Studies. :65-68
Almost ten years ago I participated in the conference whose proceedings would become the volume Stanley Cavell and Literary Studies: Consequences of Skepticism. Stanley sat directly in front of me and listened attentively to my talk, thrilling and sc
Autor:
Paul Grimstad
Publikováno v:
American Literature. 89:898-900
Autor:
Paul Grimstad
This essay traces a literary history from Poe’s tales and essays in which imaginative speculation and rationalist explanation are fused to create an effect of verisimilitude. Poe’s pioneering prose techniques had a decisive influence on the emerg
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::30f9584e7a6bd60d2cb1b700f48f4a38
https://doi.org/10.1093/oxfordhb/9780190641870.013.47
https://doi.org/10.1093/oxfordhb/9780190641870.013.47
Autor:
Paul Grimstad
Publikováno v:
The Henry James Review. 35:218-225
“Conscience of the Atelier” claims that Henry James worked out in his criticism a view about the relation of prose technique to moral interest. That insight arose for James gradually, from his first reviews of Flaubert, which operate with a clear
Autor:
Paul Grimstad
Publikováno v:
College Literature. 42:171-173
LeMahieu, Michael. 2013. Fictions of Fact and Value: The Erasure of Logical Positivism in American Literature, 1945-1975. New York: Oxford University Press. $49.95 hc. 256 pp.In Fictions of Fact and Value, Michael LeMahieu offers a much-needed correc
Autor:
PAUL GRIMSTAD
Publikováno v:
The Yale Review. 99:199-205
Autor:
Paul Grimstad
Publikováno v:
The Yale Review. 98:147-153
Autor:
Paul Grimstad
Publikováno v:
Poetics Today. 31:107-125
In his essay “The Philosophy of Composition” (1846), Edgar Allan Poe describes how he composed his lyric poem “The Raven” by following a series of predetermined steps. My essay shows how Poe's description of composition as rule following both