Zobrazeno 1 - 10 of 16 pro vyhledávání: '"Paul A. Cleveland"'
1
We Were Created to Work: From the Beginning, Economics Is a Fundamental Aspect of Life
Autor: PAUL A. CLEVELAND
Publikováno v: Unio Cum Christo. 8:89
We Were Created By God In His Image And Given The Job Of Taking Dominion Over Creation. This Implies That We Were Created To Work, And Thus, Economics Was Built Into God’s Design. This Cultural Mandate Was Not Revoked Because Of Sin, But Nature Was
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::6e6ed0f5bbcafede0c2ee602ff1197cd
https://doi.org/10.35285/ucc8.1.2022.art5
Zobrazit plný text záznamu
2
Curwen Press, Early Adapters of Brand Strategy
Autor: Paul Charles Cleveland
Publikováno v: Journal of Design History. 31:66-82
Although the Curwen Press gained considerable prestige between the two world wars for its contribution to jobbing work and the fine printing of books, little recognition has been given to Harold Curwen, Joseph Thorp, and Oliver Simon for pioneering n
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::30305355142c990d642b8b57dea52034
https://doi.org/10.1093/jdh/epx019
Zobrazit plný text záznamu
3
Style based automated graphic layouts
Autor: Paul Charles Cleveland
Publikováno v: Design Studies. 31:3-25
This article describes a methodology for producing style based generative layouts which could be applied to magazine or web design. Many graphic designers are passionate about their design work, but mundane and routine design considerations are often
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::470f2a974dd04d385b74fac6b9a01fd6
https://doi.org/10.1016/j.destud.2009.06.003
Zobrazit plný text záznamu
4
Aesthetics and complexity in digital layout systems
Autor: Paul Charles Cleveland
Publikováno v: Digital Creativity. 19:33-50
The layout of pages which carry information is the bread and butter of the graphic design profession. The rationale of what elements are chosen and where they are placed is based on tacit knowledge gained over a number of years of experience. The aes
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::c4ef2850e6f2975d04cfec8a82fd870f
https://doi.org/10.1080/14626260701847498
Zobrazit plný text záznamu
5
How much visual power can a magazine take?
Autor: Paul Charles Cleveland
Publikováno v: Design Studies. 26:271-317
Visual power is the degree of visual stimulus emanating from a given design; the higher the stimulus, the greater the degree for attracting attention. First described by Baird in 1993, it was used as a method for attributing degrees of design aesthet
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::f9d1b33a934aa8d7b0fd6a49e8302111
https://doi.org/10.1016/j.destud.2004.05.007
Zobrazit plný text záznamu
7
Bound to technology—the telltale signs in print
Autor: Paul Charles Cleveland
Publikováno v: Design Studies. 25:113-153
The current use of computer hardware and design software has in one sense increased the creative options available to design communicators, but in doing so the technology has limited the inscription characteristics employed because of the reliance on
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::6d9910ead43934bb04e92661f8e96cee
https://doi.org/10.1016/j.destud.2003.10.004
Zobrazit plný text záznamu

Vyhledávací nástroje:

Upřesnit hledání

Omezení vyhledávání
Plný text Recenzováno Digitální knihovna AV ČR
Zdroje