Zobrazeno 1 - 10
of 98
pro vyhledávání: '"Patrick Susini"'
Autor:
Arthur Faraco, Armand Schwarz, Coralie Vincent, Patrick Susini, Emmanuel Ponsot, Clément Canonne
Publikováno v:
Music & Science, Vol 7 (2024)
While empirical studies on joint music-making have shed light on many aspects of ensemble performance in the past few decades, the role of auditory attention in such a context has remained strikingly understudied. We draw here on a self-annotation me
Externí odkaz:
https://doaj.org/article/d543a0e6584f448ba1862b453741ef7f
Publikováno v:
Scientific Reports, Vol 13, Iss 1, Pp 1-11 (2023)
Abstract Attention allows the listener to select relevant information from their environment, and disregard what is irrelevant. However, irrelevant stimuli sometimes manage to capture it and stand out from a scene because of bottom-up processes drive
Externí odkaz:
https://doaj.org/article/701e6d17235e4dcfa6c6357a42f364b1
Publikováno v:
Scientific Reports, Vol 13, Iss 1, Pp 1-10 (2023)
Abstract Communication between sound and music experts is based on the shared understanding of a metaphorical vocabulary derived from other sensory modalities. Yet, the impact of sound expertise on the mental representation of these sound concepts re
Externí odkaz:
https://doaj.org/article/8679509957d94dbeabc5e1c794014d42
Autor:
Guillaume Lemaitre, Hugo Scurto, Jules Françoise, Frédéric Bevilacqua, Olivier Houix, Patrick Susini
Publikováno v:
PLoS ONE, Vol 12, Iss 7, p e0181786 (2017)
Communicating an auditory experience with words is a difficult task and, in consequence, people often rely on imitative non-verbal vocalizations and gestures. This work explored the combination of such vocalizations and gestures to communicate audito
Externí odkaz:
https://doaj.org/article/9bfeeec2434946fe8240c83c7e0cda96
Autor:
Frederic Bevilacqua, Eric Olivier Boyer, Jules Francoise, Olivier Houix, Patrick Susini, Agnes Roby-Brami, Sylvain Hanneton
Publikováno v:
Frontiers in Neuroscience, Vol 10 (2016)
This article reports on an interdisciplinary research project on movement sonification for sensori-motor learning. First, we describe different research fields which have contributed to movement sonification, from music technology including gesture-c
Externí odkaz:
https://doaj.org/article/4f9297864ba24659a593cbe15118f375
Publikováno v:
PLoS ONE, Vol 11, Iss 12, p e0168167 (2016)
Imitative behaviors are widespread in humans, in particular whenever two persons communicate and interact. Several tokens of spoken languages (onomatopoeias, ideophones, and phonesthemes) also display different degrees of iconicity between the sound
Externí odkaz:
https://doaj.org/article/8cc9a1e9ed4b4906a1f4d631fac960c7
Autor:
Stephen McAdams, Guillaume Lemaitre, Patrick Susini, Antoine Minard, Nicolas Misdariis, Etienne Parizet
Publikováno v:
EURASIP Journal on Audio, Speech, and Music Processing, Vol 2010 (2010)
The aim of the study is to transpose and extend to a set of environmental sounds the notion of sound descriptors usually used for musical sounds. Four separate primary studies dealing with interior car sounds, air-conditioning units, car horns, and c
Externí odkaz:
https://doaj.org/article/6811cf2b61074c2da5e97faa77dfdaa9
Publikováno v:
Music Perception. 39:468-483
Music or sound professionals use specific terminology to communicate about timbre. Some key terms do not come from the sound domain and do not have a clear definition due to their metaphorical nature. This work aims to reveal shared meanings of four
Previous work investigating how non-musicians and expert musicians process local (musical intervals) and global information (melodic contour) in a local-global task (LGT) shed light on a processing style developed by expert musicians that prioritizes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3da4db5f2ca630b0d15ae9ca9cac2cdc
https://doi.org/10.31234/osf.io/6pzsx
https://doi.org/10.31234/osf.io/6pzsx
Attention allows a listener to select the relevant information of the environment and to ignore others. But irrelevant stimuli sometimes manage to capture it and stand out from a scene because of bottom-up processes driven by salient stimuli. This at
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::882d661cb366cbe3bc602b9155a69628
https://doi.org/10.21203/rs.3.rs-2406084/v1
https://doi.org/10.21203/rs.3.rs-2406084/v1