Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Patricia Vanzella"'
Autor:
Patricia Vanzella, Joana B. Balardin, Rogério A. Furucho, Guilherme Augusto Zimeo Morais, Thenille Braun Janzen, Daniela Sammler, João R. Sato
Publikováno v:
Frontiers in Psychology, Vol 10 (2019)
Music played in ensembles is a naturalistic model to study joint action and leader-follower relationships. Recently, the investigation of the brain underpinnings of joint musical actions has gained attention; however, the cerebral correlates underlyi
Externí odkaz:
https://doaj.org/article/cb11b651ec9a4b79846035c198dd92a8
Autor:
Joana B. Balardin, Guilherme A. Zimeo Morais, Rogério A. Furucho, Lucas Trambaiolli, Patricia Vanzella, Claudinei Biazoli, João R. Sato
Publikováno v:
Frontiers in Human Neuroscience, Vol 11 (2017)
Assessing the neural correlates of motor and cognitive processes under naturalistic experimentation is challenging due to the movement constraints of traditional brain imaging technologies. The recent advent of portable technologies that are less sen
Externí odkaz:
https://doaj.org/article/81d8033e932944169b9b1d9f43db2471
Autor:
Patricia Vanzella, Thenille Braun Janzen, Guilherme AD Oliveira, João R Sato, Francisco J Fraga
Publikováno v:
Psychology of Music. 51:226-243
Absolute pitch (AP) is the ability to effortlessly identify or produce pitches without reference. However, behavioral research has shown that pitch perception and identification in certain timbres are more difficult for AP possessors. In this study,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e123d20d930d2bdc6a4b0c70ab8b89c3
https://doi.org/10.1177/03057356221091598
https://doi.org/10.1177/03057356221091598
Publikováno v:
Psychomusicology: Music, Mind, and Brain. 31:49-58
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0ae1d6f3ad365952e5ddd8fce987e2dd
https://doi.org/10.1037/pmu0000272
https://doi.org/10.1037/pmu0000272
Autor:
Pedro A. S. O. Neto, Patricia Vanzella
Publikováno v:
Psychology of Music. 50:127-140
We report an experiment in which participants ( N = 368) were asked to differentiate between major and minor thirds. These intervals could either be formed by diatonic tones from the C major scale (tonal condition) or by a subset of tones from the ch
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4b761e2c1e9f70fbe8c23f504e4bde8c
https://doi.org/10.1177/0305735620987272
https://doi.org/10.1177/0305735620987272
Publikováno v:
Cognitive Processing. 20:507-513
Due to movement automatization, the engagement of high-order cognitive processing during the motor execution of a task is expected to decrease over repetitions and practice. In this study, we assessed single session changes in the prefrontal hemodyna
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b9221a4206a5cbab34e58e2971b49c21
https://doi.org/10.1007/s10339-019-00925-y
https://doi.org/10.1007/s10339-019-00925-y
Autor:
Margherita Vincenzi, Ana P. Pinheiro, César F. Lima, E. Glenn Schellenberg, Ana Isabel Correia, Patricia Vanzella
Publikováno v:
Behavior Research Methods
We sought to determine whether an objective test of musical ability could be successfully administered online. A sample of 754 participants was tested with an online version of the Musical Ear Test (MET), which had Melody and Rhythm subtests. Both su
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fad3bfa01e790f643f83189db61e62bf
https://doi.org/10.31234/osf.io/kg64j
https://doi.org/10.31234/osf.io/kg64j
Autor:
Olga Valéria Campana dos Anjos Andrade, E. Glenn Schellenberg, Patricia Vanzella, Paulo Estêvão Andrade
Publikováno v:
Psychology of Music. 45:752-760
Brazilian listeners ( N = 303) were asked to identify emotions conveyed in 1-min instrumental excerpts from Wagner’s operas. Participants included musically untrained 7- to 10-year-olds and university students in music (musicians) or science (nonmu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e1145105a25f8f5d7b5fa6e0d923dcd4
https://doi.org/10.1177/0305735616678056
https://doi.org/10.1177/0305735616678056
Publikováno v:
Frontiers in Human Neuroscience. 12
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4412077bb4d312a553b698ee6b7a1e8e
https://doi.org/10.3389/conf.fnhum.2018.227.00061
https://doi.org/10.3389/conf.fnhum.2018.227.00061
Publikováno v:
Quarterly Journal of Experimental Psychology. 68:866-877
Nonmusicians remember vocal melodies (i.e., sung to la la) better than instrumental melodies. If greater exposure to the voice contributes to those effects, then long-term experience with instrumental timbres should elicit instrument-specific advanta
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a3c43a452b62e807eb117e1ced439826
https://doi.org/10.1080/17470218.2015.1020818
https://doi.org/10.1080/17470218.2015.1020818