Zobrazeno 1 - 10
of 56
pro vyhledávání: '"PER003000"'
Autor:
Decker, Todd
In 1983, choreographer Jerome Robbins premiered a new ballet titled I’m Old-Fashioned (The Astaire Variations). The thirty-minute work opens with a screening of Fred Astaire and Rita Hayworth’s dance routine to the song “I’m Old-Fashioned”
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::d2b9f0d8af3d64ba01ddb00bad16ad7f
https://books.openedition.org/pupo/30685
https://books.openedition.org/pupo/30685
Autor:
Beuré, Fanny, Chabrol, Marguerite, Cohan, Steven, Decker, Todd, Guido, Laurent, McLean, Adrienne L., McNally, Karen, Nacache, Jacqueline, Robbins, Allison, Stilwell, Robynn J., Teichner, Noah, Toulza, Pierre-Olivier
More than any other film genre, the musical of Hollywood’s Golden Age depended on the presence of performers on the bill: these personalities met the expectations of the star system and, in addition, their dancing and/or singing skills gave them a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::d2fc067d487f179e5fb4038fc0b4c481
https://books.openedition.org/pupo/30640
https://books.openedition.org/pupo/30640
Autor:
Cohan, Steven
Typically when scholars or fans discuss male stars of the musical, they focus on the great dancers, turning most often to Fred Astaire and Gene Kelly. Or they look at the enduring singers, such as Frank Sinatra and Bing Crosby. Rarely do they examine
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::8ff76bd9d3157b9e776b2fb3dd6c7573
https://books.openedition.org/pupo/30730
https://books.openedition.org/pupo/30730
Autor:
Toulza, Pierre-Olivier
A Brazilian radio, music and film star, Carmen Miranda made a name for herself almost as soon as she set foot on U.S. soil, both in a Broadway revue and on nightclub stages. Over the first half of the 1940s, from Down Argentine Way (Irving Cummings,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::14f1b0d5101592664a8fe9db1e293e15
https://books.openedition.org/pupo/30710
https://books.openedition.org/pupo/30710
Autor:
McNally, Karen
Discussions of African-American performance in the Hollywood musical have largely circulated around ideas of exclusion, positioning black performers as either displaced within the black cast musical or marginalized as featured performers in mainstrea
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::e2f46b4c6444966d6dc4cebd733f063a
https://books.openedition.org/pupo/30705
https://books.openedition.org/pupo/30705
Autor:
Stilwell, Robynn J.
The 1939 film Honolulu (Edward Buzzell, MGM, 1939) takes advantage of a cruise-ship tradition of passenger talent shows to add numbers to its shipbound second act. The talent show with the theme “Come As Your Favorite Movie Star” features Gracie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::c762addf6e7efdd00876e2e89f08f8a6
https://books.openedition.org/pupo/30715
https://books.openedition.org/pupo/30715
Autor:
Chabrol, Marguerite
Rita Hayworth is “the perfect example of the fabricated Hollywood star,” not only because of the physical metamorphosis that she underwent as she changed her name from Margarita Carmen Cansino, but also because she is the perfect embodiment of th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::da18141ad4226cb0990ad53357ad1bb4
https://books.openedition.org/pupo/30695
https://books.openedition.org/pupo/30695
More than any other classical Hollywood genre, the musical depended heavily on the presence of and, at times, the number of stars in the cast, thus becoming the epitome of the Hollywood system. For example, in 1930s series such as The Big Broadcast (
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::42c3085f5000414ba4ae88cd1058c83f
https://books.openedition.org/pupo/30670
https://books.openedition.org/pupo/30670
Autor:
Beuré, Fanny
Over a period of more than 50 years, Doris Day was a prominent figure of the American cultural stage. She was “the queen of juke-box” in the late 1940s and reigned over the box-office throughout the 1950s and 1960s. Between 1951 and 1966, she was
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::a109e3e0f9d09bb65b93ef60f08c3c1d
https://books.openedition.org/pupo/30755
https://books.openedition.org/pupo/30755
Autor:
McLean, Adrienne L.
Cyd Charisse (1921-2008) was born Tula Ellice Finklea in Amarillo, Texas. According to publicity she was enrolled in ballet classes to regain her strength following childhood polio but, like many middle-class girls of her era, she likely would have s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::111340405ed8a0396f6a31477900d516
https://books.openedition.org/pupo/30750
https://books.openedition.org/pupo/30750