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pro vyhledávání: '"P. Nelson Graves"'
Autor:
Agu Resurrecta Maria, Irina W. Razumova, V. Coulic, P. Nelson Graves, Syuzianti Shaari, Clement Majawa, Nwangwu Nneka Ifedichinma, Salikh Kh. Shamsunov, Joe-Akunne Chiamaka Ogechukwu, Omonijo Dare Ojo, Legostaeva Tb, Mohd Effendi Ewan Mohd Matore, Mohammed Afandi Zainal, E. K. Krivtsova, Jan-Erik Lane, Pascal Wambiya, Janet P. Espada, Y. Messe, N. A. Urtseva, J. Kempeneers, Ingel' Fi, Michael C. Anyaegbunam, Dunston L. Kwayumba
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::40482868e067503fb14c3d1cf22bbf00
https://doi.org/10.9734/bpi/nhess/v5
https://doi.org/10.9734/bpi/nhess/v5
Autor:
P. Nelson Graves
Publikováno v:
AFRREV IJAH: An International Journal of Arts and Humanities. 5:120-135
Reflecting on the seminal theme of Biography as a provisional means of accessing artistic substance, this study dares a reading of the metamorphosis of the artistry of the Nigerian glass designs of Frank Ugiomoh and Nsikak Essien. Utilising an empiri
Autor:
P. Nelson Graves
Publikováno v:
World Journal of Education and Humanities. 2:p71
“Natural synthesis” compartmentalized the black art world. This essay unravels how with folkloric gleeEL Anatsui, in a “selective critiquing and re-evaluation of self” dared to “wriggle out” of that quagmire. Thusly, reactivating the dyna
Autor:
P. Nelson Graves
Publikováno v:
African Research Review; Vol 10, No 2 (2016); 325-344
This essay is a critique of the “Nigerian condition” engaging the medium of painting. Categorising Ijalobomo’s water colours as “Windows” enables an understanding of messages captured within the paintings’ frames; and what statements they