Zobrazeno 1 - 10
of 55
pro vyhledávání: '"Overholt, Dan"'
Autor:
Overholt, Dan
The MATRIX (Multipurpose Array of Tactile Rods for Interactive eXpression) is a new musical interface for amateurs and professionals alike. It gives users a 3- dimensional tangible interface to control music using their hands, and can be used in conj
Externí odkaz:
http://arxiv.org/abs/2010.01577
Autor:
Fogadic, Leo, Overholt, Dan
This paper presents the Teinophon, a hybrid string instrument enabling alternative and unconventional playing techniques. Specifically, the Teinophon provides multiple possibilities in terms of string interaction and sound production, allowing the pl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a1a1d85cec7329e8595c6fb14928d70
Publikováno v:
Støier, B F & Overholt, D 2022, Demos : Støjbox XYZ and Støjbox Spring . in R Michon, L Pottier & Y Orlarey (eds), Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France) : SMC/JIM/IFC 2022 . Sound and Music Computing Network, Proceedings of the Sound and Music Computing Conference, pp. 702-703, 19th Sound and Music Computing Conference, SMC 2022, Saint-Etienne, France, 05/06/2022 . https://doi.org/10.5281/zenodo.6799628
This paper describes the features, development process, and demonstration of two prototypes of new desktop instruments: Støjbox XYZ, and Støjbox Spring. The highlight of the Støjbox XYZ is a 3-dimensional controller designed to augment existing se
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::488aac7f3c0d57b8f79e8141f0038a4b
Autor:
Rushton, Thomas, Overholt, Dan
Publikováno v:
Rushton, T & Overholt, D 2022, The Springamajig : A Flexible Digital Musical Instrument . in R Michon, L Pottier & Y Orlarey (eds), Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France) : SMC/JIM/IFC 2022 . Sound and Music Computing Network, Proceedings of the Sound and Music Computing Conference, pp. 700-701, 19th Sound and Music Computing Conference, SMC 2022, Saint-Etienne, France, 05/06/2022 . https://doi.org/10.5281/zenodo.6799633
The Springamajig is a prototype gestural digital musical instrument based on the physical properties of a large helical extension spring suspended between two long handles. Equipped with a small collection of sensors which measure its physical orient
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2fc4b43021004ba0ef2d7b5acc373b3b
Autor:
Overholt, Dan, Thompson, John, Putnam, Lance, Bell, Bo, Kleban, Jim, Sturm, Bob, Kuchera-Morin, JoAnn
Publikováno v:
Computer Music Journal, 2009 Jan 01. 33(4), 69-82.
Externí odkaz:
https://www.jstor.org/stable/25653514
Autor:
Elia, Gianluca, Overholt, Dan
Publikováno v:
Elia, G & Overholt, D 2021, SQUIDBACK : A DECENTRALIZED GENERATIVE EXPERIENCE, BASED on AUDIO FEEDBACK from A WEB APPLICATION DISTRIBUTED to the AUDIENCE . in D A Mauro, S Spagnol & A Valle (eds), SMC 2021-Proceedings of the 18th Sound and Music Computing Conference . Sound and Music Computing Network, Proceedings of the Sound and Music Computing Conference, vol. 2021-June, pp. 345-351, 18th Sound and Music Computing Conference, SMC 2021, Virtual, Online, 29/06/2021 .
Squidback is a participatory and contemplative experience, a collective generative soundscape without a central preferred point of view, whose sound sources are the audience’s smartphones or computers working as audio feedback generators. The work
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4e0251e658c2366e3faaba04c8b1702b
Autor:
Thompson, John, Kuchera-Morin, JoAnn, Novak, Marcos, Overholt, Dan, Putnam, Lance, Wakefield, Graham, Smith, Wesley
Publikováno v:
In International Journal of Human - Computer Studies 2009 67(11):934-946
In this paper we provide a detailed description of the development of a new interface for musical expression, the da ̈ıs, with focus on an iterative development process, control of physical models for sounds synthesis, and haptic feedback. The deve
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::952ec94a677163efab29bf2d621f2953
When designing an augmented acoustic instrument, it is often of interest to retain an instrument's sound quality and nuanced response while leveraging the richness of digital synthesis. Digital audio has traditionally been generated through speakers,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b8512f03acc15309efb255a2d8dd8aab