Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Orestia"'
Autor:
Lupu, Ada
Publikováno v:
Colocvii teatrale / Theatrical Colloquia. (17):183-188
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=77971
Autor:
Daniela Sacco
Publikováno v:
Cultural Inquiry ISBN: 9783965580275
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 131–40
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 131–40
Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The Orestea (una commedia organica?) by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne Festival
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5c4b808e10d01db0ef5db24f7fd3e3ed
http://publikationen.ub.uni-frankfurt.de/files/67780/Sacco_reenactment-in-theatre.pdf
http://publikationen.ub.uni-frankfurt.de/files/67780/Sacco_reenactment-in-theatre.pdf
Autor:
Rosenberg, David A.
Publikováno v:
Back Stage. 04/28/2000, Vol. 41 Issue 17, p64. 1/6p.
Autor:
Gragnolati, Manuele
Manuele Gragnolati's paper 'Analogy and Difference: Multistable Figures in Pasolini's "Appunti per un'Orestiade africana"' discusses Pasolini's preference for the figure of contradiction and his opposition to Hegelian dialectics by exploring his atte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______603::d3f33fd217a1af5267d4b495dfc8c774
http://publikationen.ub.uni-frankfurt.de/files/52023/gragnolati_analogy-and-difference.pdf
http://publikationen.ub.uni-frankfurt.de/files/52023/gragnolati_analogy-and-difference.pdf
Autor:
Holzhey, Christoph F. E.
Before completing his uncharacteristically hopeful filmic vision of an African Oresteia, Pier Paolo Pasolini invented a theatrical continuation of Aeschylus's trilogy. "Pilade" (1966/70) imagines what happens after Orestes, having being absolved by t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______603::8b8b2938bc28616a78b72ee708338470
http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/52028
http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/52028
Autor:
José Guidi
Publikováno v:
Cahiers d’Études Romanes, Vol 24, Pp 341-352 (2011)
Le thème de la réécriture de l’Orestie se présente comme étroitement lié, dans la vie et dans l’œuvre de Pier Paolo Pasolini, à celui des rapports entre le poète-cinéaste et l’Afrique, les deux dimensions finissant d’ailleurs par id
Autor:
Lawrence, Sandra
Publikováno v:
British Heritage. Jan2013, Vol. 33 Issue 6, p22-23. 2p.
Autor:
Hansen, Lawrence
Publikováno v:
American Record Guide. Nov/Dec2001, Vol. 64 Issue 6, p192. 2p.