Zobrazeno 1 - 10
of 31
pro vyhledávání: '"Opening sequence"'
Autor:
Smolev Daniil D.
Publikováno v:
Художественная культура, Iss 2, Pp 436-497 (2024)
Unlike a classic film, which requires the audience’s attention from the first to the last frame, every series is forced to deal with pauses, which constitute the aesthetic specificity of this artistic format. Breaks between seasons, episodes, and s
Externí odkaz:
https://doaj.org/article/df2a54e074234296a2dc919c6b87bbb0
Autor:
PASCAL, MARIE
Publikováno v:
Revue Canadienne d'Études cinématographiques / Canadian Journal of Film Studies, 2017 Oct 01. 26(2), 93-116.
Externí odkaz:
https://www.jstor.org/stable/26532131
Autor:
Kathleen Williams
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 12, Pp 59-77 (2017)
This article explores the various manifestations of analogue video in digital culture. Introducing the framing concept of an aesthetics of remanence, it argues that the “society of the spectacle” (Debord) has entered an age of retrospectacle, a d
Externí odkaz:
https://doaj.org/article/908fcbd8dd6f4a02ab89ed61f72e7328
Autor:
Andrés Valverde Amador
Publikováno v:
Andrés Valverde Amador
Seriarte 2, 74-94 (2022)
Seriarte 2, 74-94 (2022)
Este artículo analiza la secuencia de apertura de la serie Cuentos Asombrosos(NBC, 1985-1987) desde un enfoque narrativo y musical, para así poner en valor la contribución del compositor John Williams a la televisión norteamericana en la década
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fc30879bbd2b1a31548dc5a3bee5b6bd
https://doi.org/10.21071/seriarte.v2i.14556
https://doi.org/10.21071/seriarte.v2i.14556
Autor:
Jørgen Bruhn
Publikováno v:
Journal of Aesthetics & Culture, Vol 10, Iss 0 (2018)
The Scandinavian middle classes have been trained in feeling guilty and shameful about their social and economical privileges as well as these privileges in combinations with gender and/or ethnicity. But “eco-guilt” or “eco-shame” has hardly
Externí odkaz:
https://doaj.org/article/7c12e19e47a9466bad9983321583800b
Autor:
Hendrykowski, Marek
Publikováno v:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication. 12(21):17-31
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=530246
Akademický článek
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Autor:
Giannitrapani, A.
Opening credits, sequences which accompany each episode of a television series, have radically changed over time. From being brief and marginal texts, edited with low care e watched with a low level of attention, they have become artistic and elegant
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::cffd6bb07458c21e8d72bb6909a27d22
http://hdl.handle.net/10447/457402
http://hdl.handle.net/10447/457402
Publikováno v:
Discourse Processes
Discourse Processes, Taylor & Francis (Routledge), 2016, Special issue on Apologies in Discourse, 53 (1-2), pp.97-113. ⟨10.1080/0163853X.2015.1056694⟩
Discourse Processes, 2016, Special issue on Apologies in Discourse, 53 (1-2), pp.97-113. ⟨10.1080/0163853X.2015.1056694⟩
Discourse Processes, Taylor & Francis (Routledge), 2016, Special issue on Apologies in Discourse, 53 (1-2), pp.97-113. ⟨10.1080/0163853X.2015.1056694⟩
Discourse Processes, 2016, Special issue on Apologies in Discourse, 53 (1-2), pp.97-113. ⟨10.1080/0163853X.2015.1056694⟩
The action of apologizing can be accomplished as the main business of the interaction or incidentally while participants are doing something else. We refer to these apologies as “parasitic apologies,” because they are produced en passant (Scheglo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::72f1e53896801496272fce60270b34c1
https://doi.org/10.1080/0163853x.2015.1056694
https://doi.org/10.1080/0163853x.2015.1056694
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.