Zobrazeno 1 - 10
of 40
pro vyhledávání: '"Olivier Senn"'
Autor:
Olivier Senn
Publikováno v:
Empirical Musicology Review, Vol 18, Iss 1, Pp 37-41 (2024)
Charles Keil (1966) argued against Leonard Meyer (1956) that the expressivity, emotional power, and groove of music does not primarily lie in the syntax of the notated score, but in music performance as a bodily and participatory process. So far, emp
Externí odkaz:
https://doaj.org/article/68df5706af2d4284a4d5e14563725401
Autor:
Olivier Senn, Florian Hoesl, Toni Amadeus Bechtold, Lorenz Kilchenmann, Rafael Jerjen, Maria Witek
Publikováno v:
PLoS ONE, Vol 19, Iss 11, p e0311877 (2024)
There is a broad consensus in groove research that the experience of groove, understood as a pleasurable urge to move in response to music, is to some extent related to the complexity of the rhythm. Specifically, music with medium rhythmic complexity
Externí odkaz:
https://doaj.org/article/80b7e08cac2d4344916b360d7696a983
Autor:
Olivier Senn, Florian Hoesl, Rafael Jerjen, Toni Amadeus Bechtold, Lorenz Kilchenmann, Dawn Rose, Elena Alessandri
Publikováno v:
Music & Science, Vol 6 (2023)
This study presents an audio stimulus set of 40 drum patterns from Western popular music with empirical measurements of perceived complexity. The audio stimuli are meticulous reconstructions of drum patterns found in commercial recordings; they are b
Externí odkaz:
https://doaj.org/article/03dfbc7435aa41209458980622f6f6a0
Publikováno v:
Music & Science, Vol 6 (2023)
This study develops three composite psychometric scales for the use in listening experiments across music psychology. The new scales measure the following three psychological constructs: (1) Inner representation of temporal regularity : This scale al
Externí odkaz:
https://doaj.org/article/f804edd3792540f4b08feb9700b5c6ea
Autor:
Olivier Senn
Publikováno v:
Empirical Musicology Review, Vol 17, Iss 2, Pp 91-92 (2023)
The study by Lee & Zaryab (this issue) investigated whether listening to high-groove music affects how heterosexual observers rate the attractiveness of people from the opposite sex. They found a very small positive effect of high-groove music on the
Externí odkaz:
https://doaj.org/article/84f7470c296044349893e11cbacd9488
Autor:
Olivier Senn
Publikováno v:
Heliyon, Vol 9, Iss 4, Pp e15199- (2023)
This study presents a method to estimate the complexity of popular music drum patterns based on a core idea from predictive coding. Specifically, it postulates that the complexity of a drum pattern depends on the quantity of surprisal it causes in th
Externí odkaz:
https://doaj.org/article/b7d8b052f0b14e8cbdbbab3ec4405f9d
Publikováno v:
Empirical Musicology Review, Vol 16, Iss 1, Pp 114-123 (2021)
Patterned microtiming deviations from metronomic regularity are ubiquitous in the performance of metered music. The relevance of microtiming to the perception of music has been studied since the 1980s. Most recently, microtiming has been investigated
Externí odkaz:
https://doaj.org/article/64eebfc5d0a14b1797aa6ffd504cfbae
Autor:
Elena Alessandri, Dawn Rose, Olivier Senn, Katrin Szamatulski, Antonio Baldassarre, Victoria Jane Williamson
Publikováno v:
Music & Science, Vol 3 (2020)
Music criticism has a long tradition as a leading agent in the classical music discourse. However, some people question its function in the contemporary music market. We explored the topicality of classical music critique by asking: Who reads profess
Externí odkaz:
https://doaj.org/article/0e1e2825afbb40b5a237ab052047dcb9
Autor:
Olivier Senn, Dawn Rose, Toni Bechtold, Lorenz Kilchenmann, Florian Hoesl, Rafael Jerjen, Antonio Baldassarre, Elena Alessandri
Publikováno v:
Frontiers in Psychology, Vol 10 (2019)
Externí odkaz:
https://doaj.org/article/0280f7eb709747509aab8120a8c488a0
Autor:
Toni Amadeus Bechtold, Olivier Senn
Publikováno v:
Frontiers in Psychology, Vol 9 (2018)
Perceptual attack time (PAT) is defined as the moment when the most salient rhythmical feature of a sound is perceived. This paper focuses on the PAT of saxophone sounds, investigating how the location of this point in time changes when a note is pla
Externí odkaz:
https://doaj.org/article/20e760ac89cb4665b08a5427ebf9974f