Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Oliver Bones"'
Publikováno v:
Frontiers in Psychology, Vol 9 (2018)
Five evidence-based taxonomies of everyday sounds frequently reported in the soundscape literature have been generated. An online sorting and category-labeling method that elicits rather than prescribes descriptive words was used. A total of N = 242
Externí odkaz:
https://doaj.org/article/9d5ceff823a24ba692bdb85460a9b87b
Autor:
Hanjun Liu, Patrick C. M. Wong, Francis C. K. Wong, Oliver Bones, Akshay R. Maggu, Mark Antoniou
Publikováno v:
Journal of Neurolinguistics. 47:145-155
Musical experience and linguistic experience have been shown to facilitate language and music perception. However, the precise nature of music and language interaction is still a subject of ongoing research. In this study, using subcortical electroph
Autor:
Lara Harris, Philip J. B. Jackson, William J. Davies, Wenwu Wang, Trevor J. Cox, Oliver Bones, Christian Kroos, Mark D. Plumbley, Yin Cao
Publikováno v:
ICASSP
Humans are able to identify a large number of environmental sounds and categorise them according to high-level semantic categories, e.g. urban sounds or music. They are also capable of generalising from past experience to new sounds when applying the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::58861d2d2a53c365e139b4fed15cb541
Publikováno v:
Frontiers in Psychology, Vol 9 (2018)
Frontiers in Psychology
Frontiers in Psychology
Five evidence-based taxonomies of everyday sounds frequently reported in the soundscape literature have been generated. An online sorting and category-labeling method that elicits rather than prescribes descriptive words was used. A total of N = 242
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::56498d30594cc7e71480f7bfb356919c
https://e-space.mmu.ac.uk/621781/
https://e-space.mmu.ac.uk/621781/
Autor:
Oliver Bones, Patrick C. M. Wong
Amusia is a pitch perception disorder associated with deficits in processing and production of both musical and lexical tones, which previous reports have suggested may be constrained to fine-grained pitch judgements. In the present study speakers of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::32d6e3f1e7c1e3a8e56e8078221174cb
https://e-space.mmu.ac.uk/621782/
https://e-space.mmu.ac.uk/621782/
Publikováno v:
The Journal of the Acoustical Society of America. 141:3694-3694
A method has been developed that utilizes a sound-sorting and labeling procedure, with correspondence analysis of participant-generated descriptive terms, to elicit perceptual categories of sound. Unlike many other methods for identifying perceptual
Autor:
Oliver, Bones, Christopher J, Plack
Publikováno v:
Hearing research. 323
When two notes are played simultaneously they form a musical dyad. The sensation of pleasantness, or "consonance", of a dyad is likely driven by the harmonic relation of the frequency components of the combined spectrum of the two notes. Previous wor
Publikováno v:
Neuropsychologia
When musical notes are combined to make a chord, the closeness of fit of the combined spectrum to a single harmonic series (the ‘harmonicity’ of the chord) predicts the perceived consonance (how pleasant and stable the chord sounds; McDermott, Le
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c75ca9acd1c317dba92fd73f03294896
https://doi.org/10.1016/j.neuropsychologia.2014.03.011
https://doi.org/10.1016/j.neuropsychologia.2014.03.011
Publikováno v:
The Journal of the Acoustical Society of America. 140:3266-3266
An organizing account of everyday sounds could greatly simplify the management of audio data. The job of an audio database manager will typically involve assigning a combination of textual descriptors, and perhaps allocating to a predefined category.