Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Olga Haldey"'
Autor:
Olga Haldey
Publikováno v:
Music & Letters. 104:317-320
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::173ddeab044c046bc49a1621911a1f2e
https://doi.org/10.1093/ml/gcad012
https://doi.org/10.1093/ml/gcad012
Autor:
Olga Haldey
Publikováno v:
BACH: Journal of the Riemenschneider Bach Institute. 50:136-174
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd8bb640099f80cb996ce1ab9f10a206
https://doi.org/10.1353/bach.2019.0005
https://doi.org/10.1353/bach.2019.0005
Autor:
Olga Haldey
L’opéra privé de Moscou est l’une des institutions artistiques les plus importantes et les plus novatrices de la fin des années 1890. Toutefois, il lui fallait survivre sur le dur marché de l’opéra en Russie, un marché qui ne faisait pas
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::724d9ab33bc033210099d13404d19f53
http://journals.openedition.org/res/1144
http://journals.openedition.org/res/1144
Autor:
Olga Haldey
Publikováno v:
Kritika: Explorations in Russian and Eurasian History. 16:423-428
Anna Fishzon, Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Siecle Russia. 292 pp. New York: Palgrave Macmillan, 2013. ISBN-13 978-1137023445. $90.00. The last two decades have seen a proliferation of studies concerning the so
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::95ab5fb11328db761d9f90a96304ae72
https://doi.org/10.1353/kri.2015.0023
https://doi.org/10.1353/kri.2015.0023
Autor:
Olga Haldey
Publikováno v:
Slavic Review. 77:847-848
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4a6256cdca90fc19d5ddcc30bd816a13
https://doi.org/10.1017/slr.2018.264
https://doi.org/10.1017/slr.2018.264
Autor:
Olga Haldey
Publikováno v:
Journal of Musicology. 22:559-603
The Ballets Russes of Serge Diaghilev has frequently been hailed as an emblem of 20th-century modernism, its productions created by a “committee” of directors, composers, and designers viewed as a realization of an elusive dream of art synthesis.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::01eabd48b1e387778ecc4f670b6fd8b4
https://doi.org/10.1525/jm.2005.22.4.559
https://doi.org/10.1525/jm.2005.22.4.559
Autor:
Olga Haldey
Publikováno v:
Notes. 65:326-328
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c6350753e68847bc2ea33ad698b53702
https://doi.org/10.1353/not.0.0084
https://doi.org/10.1353/not.0.0084
Autor:
Olga Haldey
Publikováno v:
Notes. 63:622-624
Prokofiev's Ballets for Diaghilev. By Stephen D. Press. Burlington, VT: Ashgate, 2006. [xvii, 294 p. ISBN 0-7546-0404-0. $99.95.] Illustrations, music examples, bibliography, index. From specialists in Russian music to devotees of ballet, most music
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6bfe2d508145ececf1500ca8d9e538dc
https://doi.org/10.1353/not.2007.0019
https://doi.org/10.1353/not.2007.0019