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Publikováno v:
Conservar Património; Vol. 34 (2020): II Colloquium Investigations in Heritage Conservation; 109-115
Conservar Património; vol. 34 (2020): II Colóquio Investigações em Conservação do Património; 109-115
Conservar Património; vol. 34 (2020): II Colóquio Investigações em Conservação do Património; 109-115
Many times, records of the materials used by contemporary artists in their first works are scarce. If the work under study has been carried out during the artist youth, sometimes artists just remember to have used synthetic materials but no longer ha