Zobrazeno 1 - 10
of 42
pro vyhledávání: '"Odai Johnson"'
Publikováno v:
Theatre History Studies. 40:1-8
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::05544368d7a6c50c46467b35a75b8f49
https://doi.org/10.1353/ths.2021.0000
https://doi.org/10.1353/ths.2021.0000
Autor:
Odai Johnson
Publikováno v:
Theatre History Studies. 40:11-30
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d1db8efc73f4bc3509e7165cebf2e14
https://doi.org/10.1353/ths.2021.0001
https://doi.org/10.1353/ths.2021.0001
Autor:
Odai Johnson
Publikováno v:
Theatre Survey. 58:233-245
So wrote the Irish American poet John Montague of the great loss of culture under Great Britain's empire, a violent overmapping of identity whose poignant erasure was itself richly preserved in plays, poems, and songs. Nothing of Ireland's past, it s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3c68690cd77338aed0f8f37de897d2d0
https://doi.org/10.1017/s0040557417000084
https://doi.org/10.1017/s0040557417000084
Autor:
Odai Johnson
Much of the theater of antiquity is marked by erasures: missing origins, broken genres, fragments of plays, ruins of architecture, absented gods, remains of older practices imperfectly buried and ghosting through the civic productions that replaced t
Autor:
Odai Johnson
2017 Theatre Library Association Freedley Award Finalist If one went looking for the tipping point in the prelude to the American Revolution, it would not be the destruction of the tea in Boston Harbor, or the blockade of Boston by British warships
Autor:
Odai Johnson
Publikováno v:
Theatre Survey. 55:6-21
I want to begin with a memory of buried faith that speaks rather precisely to the argument that follows about the duplicitous nature of performance during the English Reformation. The memory belonged to Benjamin Franklin, who opened hisAutobiographyw
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3200812af0f0b497131f602f6a52d92
https://doi.org/10.1017/s0040557413000513
https://doi.org/10.1017/s0040557413000513
Autor:
Odai Johnson
Publikováno v:
Theatre Survey. 52:341-346
I want to preface this brief piece by declaring from the outset that the title is not ironic and does not intend to sport with our or another's misfortune. In spite of its brutality, it has proved, in the end, a pleasant recession. By the time this a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::83a5368d161f30b22bf7b1725e495ac5
https://doi.org/10.1017/s0040557411000457
https://doi.org/10.1017/s0040557411000457
Autor:
Odai Johnson
Publikováno v:
Theatre Survey. 51:65-93
As what follows is largely about the ghosting of antiquity, I begin at a broken grave.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5bfba1e0bb3143dad819f332460431a3
https://doi.org/10.1017/s0040557410000220
https://doi.org/10.1017/s0040557410000220