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of 44
pro vyhledávání: '"Nouri Gana"'
Autor:
Nouri Gana
How do the literatures and cultures of oppressed societies survive and flourish in spite of the overdetermining conditions of precarity and injustice of which they are a product and against which they protest? Might the symptom of oppression become s
Autor:
Nouri Gana
By remapping the configurations of mourning across modernist, postmodernist, and postcolonial literatures, psychoanalysis and deconstruction (James Joyce, Jamaica Kincaid, Tahar Ben Jelloun, Elias Khoury, Sigmund Freud, and Jacques Derrida), Signifyi
Autor:
Nouri Gana
Publikováno v:
Documentary Filmmaking in the Middle East and North Africa ISBN: 9781649030368
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::56adfb0abe3cf039b2e2df1364e8868c
https://doi.org/10.2307/j.ctv2twz9xn.11
https://doi.org/10.2307/j.ctv2twz9xn.11
Autor:
Nouri Gana
Publikováno v:
Futurism and the African Imagination ISBN: 9781003179146
Futurism and the African Imagination
Futurism and the African Imagination
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7192456c9406b480e36de5ae43b76f68
https://doi.org/10.4324/9781003179146-11
https://doi.org/10.4324/9781003179146-11
Autor:
Nouri Gana
Publikováno v:
Psychoanalysis and History. 20:371-386
In his most recent book, entitled Un Furieux désir de sacrifice. Le surmusulman (A Furious Desire for Sacrifice: The Super Muslim), Benslama sets himself the task of laying down on the psychoanalytic couch the jihadi figure he calls ‘le surmusulma
Autor:
Nouri Gana
Publikováno v:
Representations. 143:118-137
This essay discusses the politics of affect in post-1967 Arabic literary and cultural production. It argues that melancholia’s underappreciated swerve from normative structures of power and mourning is a threshold moment of critical and cultural en
Autor:
Nouri Gana
Publikováno v:
Cultural Politics. 13:177-193
This article examines the cultural politics of bastardy in the films of Tunisian filmmaker Nouri Bouzid at a time when questions of national and cultural identity have come to the fore in Tunisia in the wake of the Revolution of Freedom and Dignity.
Autor:
Nouri Gana
Publikováno v:
Journal of Visual Culture. 16:253-273
This article examines the cultural politics of defeat in the cinema of Tunisian filmmaker Nouri Bouzid. Taking a lead from Bouzid’s directorial début Man of Ashes, the author focuses on Golden Horseshoes (1989) and Making of (2006), the two films