Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Nobuko Anan"'
Autor:
Nobuko Anan
Publikováno v:
Journal of Adaptation in Film & Performance. 12:133-141
This article examines different conceptions of realism in theatre and manga by focusing on gender performance in Minako Narita's manga, Alien Street (1980‐84). It depicts a male actor who plays female roles in realist theatre productions. I argue t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fbedd781e975f1e07672da055a43bfd4
https://doi.org/10.1386/jafp_00002_1
https://doi.org/10.1386/jafp_00002_1
Autor:
Nobuko Anan
Publikováno v:
The Oxford Handbook of Politics and Performance ISBN: 0190863455
This chapter examines mother-child love linked to love for the nation within two Japanese plays. In Rio Kishida’s Thread Hell (1984), a pre–World War II silk factory represents the Japanese Empire, where a mother and her daughter are manipulated
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9b5c3fd44c45c5550e7edccc043027b0
https://doi.org/10.1093/oxfordhb/9780190863456.013.47
https://doi.org/10.1093/oxfordhb/9780190863456.013.47
Autor:
Nobuko Anan
Publikováno v:
Women in Asian Performance ISBN: 9781315688800
Women in Asian Performance
Women in Asian Performance
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d1e34ae1ed2e09db4a9bf6a19fd667b1
https://doi.org/10.4324/9781315688800-9
https://doi.org/10.4324/9781315688800-9
Autor:
Nobuko Anan
Publikováno v:
The Palgrave Handbook of Musical Theatre Producers ISBN: 9781137440297
The Takarazuka Revue, established in 1914 and extremely popular by the 1920s, remains a central part of Japanese musical theatre. The company performs all-female adaptations of both Western works and stories taken from Japanese culture. Takarazuka ha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::098896d8d6fa80672bbab3ea422fbc96
https://doi.org/10.1057/978-1-137-43308-4_15
https://doi.org/10.1057/978-1-137-43308-4_15
Autor:
Nobuko Anan
Publikováno v:
Performance, Feminism and Affect in Neoliberal Times ISBN: 9781137598097
Nobuko Anan explores a feminist response to neoliberal Japanese society through visual/theatre artist Yanagi Miwa’s Elevator Girl (1994–1998), a collection of digitally composite photographs produced during the time when the Japanese government s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a782e918d63f95d89cefda0cbb99b9c
https://doi.org/10.1057/978-1-137-59810-3_5
https://doi.org/10.1057/978-1-137-59810-3_5
Autor:
Nobuko Anan
Publikováno v:
The Journal of Popular Culture. 47:41-63
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d292e89f987addd38a3c444a38cb998b
https://doi.org/10.1111/jpcu.12107
https://doi.org/10.1111/jpcu.12107
Autor:
Nobuko Anan
Publikováno v:
Theatre Research International. 43:342-343
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3168c08ba21b9cd21f91d30113f48dda
https://doi.org/10.1017/s0307883318001049
https://doi.org/10.1017/s0307883318001049
Autor:
Nobuko Anan
This book traces the history of'girls'aesthetics,'where adult Japanese women create art works about'girls'that resist motherhood, from the modern to the contemporary period and their manifestation in Japanese women's theatrical and dance performance
Autor:
Nobuko Anan
Publikováno v:
Contemporary Japanese Women’s Theatre and Visual Arts ISBN: 9781349557066
The July 1970 issue of the magazine Tide (Ushio) prints a conversation between novelist/playwright Mishima Yukio and theatre/film maker Terayama Shuji. Although titled “Can Eros Be the Basis of Resistance?” (Erosu wa teiko no kyoten to nari uru k
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cf8d13182f8c5f5fe179e61c04a5f4ff
https://doi.org/10.1057/9781137372987_2
https://doi.org/10.1057/9781137372987_2