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Autor:
Noah Isenberg
Edgar G. Ulmer is perhaps best known today for Detour, often considered the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of fellow Austrian and German émigré directors like
Autor:
Noah Isenberg
Publikováno v:
Seminar: A Journal of Germanic Studies. 58:450-452
Autor:
Noah Isenberg
Publikováno v:
The Oxford Handbook of Film Theory ISBN: 0190873930
This chapter takes as its point of departure Miriam Hansen’s evocative notion of the “vernacular” as a means of understanding a kind of film writing, from the 1920s up to the present, which is on a deeper, more structural level theoretical—th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b7d0d56d075e667e9a6a1408d9132826
https://doi.org/10.1093/oxfordhb/9780190873929.013.7
https://doi.org/10.1093/oxfordhb/9780190873929.013.7
Autor:
Noah Isenberg, Gerd Gemunden
Publikováno v:
New German Critique. 47:1-5
Autor:
Noah Isenberg
Publikováno v:
Orientalism and the Jews
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34bfbd2d2082f73aedfa0ba6540b0003
https://doi.org/10.2307/j.ctv1d1qmmz.10
https://doi.org/10.2307/j.ctv1d1qmmz.10