Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Nicoleta Cinpoes"'
Publikováno v:
Multicultural Shakespeare, Vol 28, Iss 43, Pp 69-88 (2023)
The article discusses the variety of ways in which the terms “popular” or “populist” could be associated with postwar Shakespearean transcreations in the Central and Eastern European region, pointing out how performers and adaptors challenged
Externí odkaz:
https://doaj.org/article/696fe4179acf440cb687c66afe131428
Autor:
Peter J. Smith, Alison Findlay, Nathalie Vienne-Guerrin, Alexander Shurbanov, Nicoleta Cinpoeș, Odette Blumenfeld, Boika Sokolova
Publikováno v:
Linguaculture, Vol 14, Iss 1 (2023)
Externí odkaz:
https://doaj.org/article/348baaa956ff402faf0e70e6be378dc2
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 100:106-109
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 100:111-114
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 100:103-106
Autor:
Nicoleta Cinpoes
Publikováno v:
1803-845X (print); 2336-4548
This article maps out the landscape of Shakespeare festivals in Europe and argues that the European Shakespeare Festivals Network (ESFN) has been crucial to putting them on the Shakespeare tourist map. ESFN is a cultural foundation established in Mar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::82144d71993dc3200c02a5d87f0b30d4
https://eprints.worc.ac.uk/10517/1/1_Theatralia_24-2021-1_8.pdf
https://eprints.worc.ac.uk/10517/1/1_Theatralia_24-2021-1_8.pdf
Autor:
Nicoleta Cinpoes
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 96:214-230
The ‘dramatic rise’ of Titus Andronicus ‘among critics and directors’ in the 1990s was primarily linked to ‘the growth of feminist Shakespeare criticism’.1 Its recent stage popularity, however, lies in its responses to the new geopolitica
Autor:
Janice Valls-Russell, Nicoleta Cinpoes
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 100:79-81
From the aftermath of World War II to the convulsions of Brexit, festivals have deployed Shakespeare as a model of inclusive and progressive theatre to seek cultural solutions to Europe's multi-faceted crises. Shakespeare on European Festival Stages
Autor:
Janice Valls-Russell, Nicoleta Cinpoes
Publikováno v:
Cahiers Élisabéthains
Cahiers Élisabéthains, Institut de recherche sur la Renaissance/SAGE, 2019, 100 (1), pp.75-79. ⟨10.1177/0184767819867410⟩
Cahiers Élisabéthains, Institut de recherche sur la Renaissance/SAGE, 2019, 100 (1), pp.75-79. ⟨10.1177/0184767819867410⟩
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a84615196b955f5e89c5d94d84abf65e
https://halshs.archives-ouvertes.fr/halshs-02432986
https://halshs.archives-ouvertes.fr/halshs-02432986