Zobrazeno 1 - 10
of 52
pro vyhledávání: '"Nicole Seymour"'
Autor:
Katherine Fusco, Nicole Seymour
Kelly Reichardt's 1994 debut River of Grass established her gift for a slow-paced realism that emphasizes the ongoing, everyday nature of emergency. Her work since then has communed with--yet remained apart from--postwar European realisms, the Americ
Autor:
Nicole Seymour
In Strange Natures, Nicole Seymour investigates the ways in which contemporary queer fictions offer insight on environmental issues through their performance of a specifically queer understanding of nature, the nonhuman, and environmental degradation
Autor:
Nicole Seymour
Publikováno v:
L'Esprit Créateur. 62:160-175
Autor:
Juno Salazar Parreñas, Nicole Seymour
Publikováno v:
Environmental Humanities. 14:718-725
Autor:
Ella Ben, Hagai, Nicole, Seymour
Publikováno v:
Journal of Lesbian Studies. 26:1-11
In this special issue we asked the question "Is lesbian identity obsolete?" We posed this provocation in order to think through what has changed about lesbian identities and their articulations in the face of recent developments-from the rise of tran
Autor:
Nicole Seymour
Publikováno v:
Art Journal. 81:114-116
Autor:
Nicole Seymour
Publikováno v:
Ecologies of Gender ISBN: 9781003023319
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2cabb4ff1dd6759cb16a7ee7658a430d
https://doi.org/10.4324/9781003023319-7
https://doi.org/10.4324/9781003023319-7
Autor:
Nicole Seymour
Publikováno v:
TSQ: Transgender Studies Quarterly. 7:455-462
This piece reports on the “Trans ± Sex: Rethinking Sex/Gender in Trans Studies” symposium held at the University of Arizona in September 2019. It focuses on two major themes that appeared throughout the symposium: cross-generational conflict and
Autor:
Nicole Seymour, Briggetta Pierrot
Publikováno v:
Departures in Critical Qualitative Research. 9:92-113
In this essay, we survey recent prominent works of climate fiction, or cli-fi, through the lens of Indigenous futurism, arguing that several of these works pointedly absent or even appropriate Indigenous perspectives and traditions. We conclude that