Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Nicole Ruta"'
Publikováno v:
i-Perception, Vol 7 (2016)
Little is known about how we perceive the size and shape of objects in far peripheral vision. Observations made during an artistic study of visual space suggest that objects appear smaller and compressed in the periphery compared with central vision.
Externí odkaz:
https://doaj.org/article/e1365b4ab7f64ed48f6d73c3127293a7
Publikováno v:
Vision, Vol 2, Iss 2, p 21 (2018)
Following its discovery in fifteenth-century Italy, linear perspective has often been hailed as the most accurate method of projecting three-dimensional visual space onto a two-dimensional picture plane. However, when we survey the history of Europea
Externí odkaz:
https://doaj.org/article/23a3d8d389234ada836255880eb3d6f3
Publikováno v:
PLoS ONE, Vol 10, Iss 10, p e0140043 (2015)
Most people prefer smoothly curved shapes over more angular shapes. We investigated the origin of this effect using abstract shapes and implicit measures of semantic association and preference. In Experiment 1 we used a multidimensional Implicit Asso
Externí odkaz:
https://doaj.org/article/4308d6ca8a0a4782b07a6a041a155b6c
Publikováno v:
PLoS ONE, Vol 9, Iss 3, p e92685 (2014)
There is evidence of a preference for visual symmetry. This is true from mate selection in the animal world to the aesthetic appreciation of works of art. It has been proposed that this preference is due to processing fluency, which engenders positiv
Externí odkaz:
https://doaj.org/article/653ceab2d0b541c99ff3dae648679065
Publikováno v:
Gestalt Theory. 44:61-78
Prior to the discovery of linear perspective in the fifteenth century, European artists based their compositions more on imagination than the direct observation of nature. Medieval paintings, therefore, can be thought of as ‘mental projections’ o
Autor:
Enric Munar, Erick Gustavo Chuquichambi, Nicole Ruta, Alejandro Dorado, Carlos Rey, Robert C Pepperell
In the last two decades, contour shape has been widely studied as a factor in visual aesthetic preference. Many studies have shown that humans and other species usually prefer curved to sharp-angled contours. The reasons for this preference, although
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1dbb78dacb90d701d452a43c1344c566
https://doi.org/10.31234/osf.io/erxw3
https://doi.org/10.31234/osf.io/erxw3
Publikováno v:
Psychology of Aesthetics, Creativity, and the Arts.
The project leading to these results has received funding from “La Caixa” Foundation (ID 100010434) under agreement LCF/BQ/ES17/11600021 awarded to Ana Clemente, from “La Caixa” Foundation (ID 100010434) under agreement LCF/BQ/DE17/11600022 a
Preference for curvature, the curvature effect, seems to transcend cultures, species and stimulus kinds. However, its nature and psychological mechanisms remain obscure because studies often overlook the complexity of contour characterisation and dis
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e9d5222bc2573b01755028576517e051
https://doi.org/10.31234/osf.io/pdhkf
https://doi.org/10.31234/osf.io/pdhkf
Publikováno v:
Quarterly Journal of Experimental Psychology. :174702182311643
Despite its mathematical simplicity and ubiquity in imaging technology, there has long been doubt about the ability of linear perspective to best represent human visual space, especially at wide-angle fields of view under natural viewing conditions.
Publikováno v:
Journal of Vision. 22:3701