Zobrazeno 1 - 10
of 16
pro vyhledávání: '"Nicolas Poppe"'
Autor:
Nicolas Poppe
Alton's Paradox builds upon extensive archival and primary research, but uses a single text as its point of departure—a 1934 article by the Hungarian American cinematographer John Alton in the Hollywood-published International Photographer. Writing
Autor:
Rielle Navitski, Nicolas Poppe
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by seve
Autor:
Sarah Thomas, Kathryn Everly, Jo Labanyi, Jesse Barker, Mónica García Blizzard, Nicolas Poppe, Rachel ten Haaf, Juan Llamas-Rodriguez
Publikováno v:
Studies in Spanish & Latin-American Cinemas. 15:397-420
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2d05d83ee4ec7f56a79ea21971a47a7d
https://doi.org/10.1386/slac.15.3.397_5
https://doi.org/10.1386/slac.15.3.397_5
Autor:
Nicolas Poppe
Publikováno v:
Revista de Estudios Hispánicos. 52:1048-1050
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb07ee4fd910497072c1d289e8edab6f
https://doi.org/10.1353/rvs.2018.0080
https://doi.org/10.1353/rvs.2018.0080
Autor:
Nicolas Poppe
Publikováno v:
Letr@s Hispanas, Vol 11, Pp 147-156 (2015)
Raúl Perrone’s Ituzaingó trilogy—Labios de churrasco (1994), Graciadió (1997), and 5 pal’ peso (1998)—can be considered to be a representation of how a specific group of Argentine youths in the mid-1990s consumed cultural production and as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doajarticles::211f1d2e5ac39379fd642c3ead5df721
https://doaj.org/article/221ac49425dc4e37913dd4f3886b7e15
https://doaj.org/article/221ac49425dc4e37913dd4f3886b7e15
Autor:
Nicolas Poppe
Publikováno v:
The Routledge Companion To Gender, Sex And Latin American Culture ISBN: 9781315179728
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::56b6dd9ae5c728a8150a3430d4910651
https://doi.org/10.4324/9781315179728-8
https://doi.org/10.4324/9781315179728-8
Autor:
Nicolas Poppe
Publikováno v:
Cinema Journal. 54:115-120
I n the July 1931 issue of Mensajero Paramount (Paramount Messenger), an in-house publication dedicated to the interests of Spanishspeaking film exhibitors, an editorial note remarks that “Spanishspeaking audiences now have a spectacle in which the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e1d15250e9ff629e21c55d0041ea40a8
https://doi.org/10.1353/cj.2014.0062
https://doi.org/10.1353/cj.2014.0062
Autor:
Nicolas Poppe
Publikováno v:
Journal of Latin American Cultural Studies. 21:481-495
The arrival of sound technologies in the cinema fundamentally changed film production and consumption. Fearing a potential loss in market share in foreign markets such as that of Latin America due to the inevitable premieres of talkies produced by na
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4b6aa5539232706b8260a0936fb1e7cd
https://doi.org/10.1080/13569325.2012.743883
https://doi.org/10.1080/13569325.2012.743883