'The Stuff That Dreams Are Made of'—Restoring Cinema Colors: A Roadmap for Real Research

Autor: Nicola Mazzanti

Publikováno v: Heritage, Vol 6, Iss 3, Pp 2520-2540 (2023)

Since 1895, through the analog and the digital eras, color is among the many narrative and aesthetic tools cinema language used in its creative process to shape a unique, multi-sensorial experience for its audience. Over these 120+ years, endless cin

Externí odkaz: https://doaj.org/article/caf49e901e844df1ae2e8d361c081d8b

Assessing social and economic impact of subcutaneous mAbs in oncology

Autor: Americo Cicchetti, Silvia Coretti, Daniele Mascia, Nicola Mazzanti, Pietro Refolo, Francesca R. Rolli, Filippo Rumi

Publikováno v: Global & Regional Health Technology Assessment, Vol 2018 (2018)

Background: Rituximab and trastuzumab were the first monoclonal antibodies (mAbs) approved for the treatment of cancer patients. Both antibodies are administered intravenously (EV), but subcutaneous (SC) formulations have recently been developed. SC

Externí odkaz: https://doaj.org/article/f916a6143ad34cde94bf1bec5ef2d923

Current understanding of ceria surfaces for CO2 reduction in SOECs and future prospects – A review

Autor: Elena Marzia Sala, Nicola Mazzanti, Mogens Bjerg Mogensen, Christodoulos Chatzichristodoulou

Publikováno v: Sala, E M, Mazzanti, N, Mogensen, M B & Chatzichristodoulou, C 2022, ' Current understanding of ceria surfaces for CO 2 reduction in SOECs and future prospects – A review ', Solid State Ionics, vol. 375, 115833 . https://doi.org/10.1016/j.ssi.2021.115833

Ceria-based materials form a very promising class of electrocatalysts for CO2 reduction in solid oxide electrolysis cells (SOECs). On the pathway towards the implementation of ceria into technological electrodes on a large scale, an in-depth atomisti

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e8961ce626a0864b58517424d5ed99a0
https://doi.org/10.1016/j.ssi.2021.115833

Oberflächen und Interfaces

Autor: Giuliana Bruno, Martin Warnke, Michaela Ott, Volker Pantenburg, Rudolf Gschwind, Matthias Koch, Asako Miyazaki, Christian Köhler, Cyrill Miksch, André Wendler, Sean Cubitt, Florian Krautkrämer, Nicola Mazzanti, Joachim Reuteler, Haidee Wasson, Matthias Wittmann, Bishnupriya Ghosh, Adrian Martin, Cristina Álvarez López, Mark Schönbächler, Malika Maskarinec

Seitdem Filme nicht mehr nur im Kino, sondern auf verschiedenen Schirmen angeschaut werden, thematisieren sie verstarkt die eigene Oberflache. Deren Asthetik als Reflexion des Verhaltnisses von Blick und Bild untersucht der vorliegende Band in histor

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::5ee35c2db5e362114dee4ae9891ae4e7
https://doi.org/10.30965/9783846761373

Colours, audiences, and (dis)continuity in the ‘cinema of the second period’

Autor: Nicola Mazzanti

Publikováno v: Film History: An International Journal. 21:67-93

The essay confronts the issue of the relationship between silent film colour and its audience during the 'second period' of early cinema (approximately 1909 to 1917) by analyzing the practice of producing multiple versions of any given film. It also

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::38c89f0318b03ee97f3c37dce238673c
https://doi.org/10.2979/fil.2009.21.1.67