Zobrazeno 1 - 10
of 69
pro vyhledávání: '"Nick Redfern"'
Autor:
Nick Redfern
Publikováno v:
Umanistica Digitale, Iss 10, Pp 251-270 (2021)
This article analyses the smoothed movie barcodes of 173 trailers nominated for a Golden Trailer award between 2016 and 2019 across nine genres: action, animation/family, comedy, documentary, drama, fantasy/adventure, horror, romance, and thriller. T
Externí odkaz:
https://doaj.org/article/79f4bb447d2943519f0e615004464368
Autor:
Nick Redfern
Publikováno v:
Journal of Methods and Measurement in the Social Sciences, Vol 11, Iss 2, Pp 45-59 (2021)
The viewer’s processes of inference making in the cinema involve the framing of hypotheses about the world of the narrative that may be overturned by subsequent information and are, therefore, nonmonotonic. The goal of narrative researchers is to u
Externí odkaz:
https://doaj.org/article/0b8ead84775740a2a55d7f85c8a7936f
Autor:
Nick Redfern
Publikováno v:
Statistica, Vol 80, Iss 1, Pp 81-99 (2020)
This paper demonstrates the three-parameter Dagum distribution provides a good fit for shot lengths in Hollywood films due to its ability to model a wide range of skewness and kurtosis values and a variety of tail behaviours by virtue of its two shap
Externí odkaz:
https://doaj.org/article/3abe6d74c19e456f80b533bd8f3f0c02
The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933
Autor:
Nick Redfern
Publikováno v:
CINEJ Cinema Journal, Vol 2, Iss 1, Pp 77-94 (2012)
The impact of sound technology on Hollywood is analysed through looking at the median shot lengths of silent films from the 1920s (n = 54) and early sound films (n = 106). The results show a large increase in the median shot lengths with the introduc
Externí odkaz:
https://doaj.org/article/7e58c96eea7d45c5b32781f4a07ff90b
Autor:
Nick Redfern
Publikováno v:
Journal of the Japanese Association for Digital Humanities. 6:11-20
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2d7e80c079ef92531ef7cd761b799b3b
https://doi.org/10.17928/jjadh.6.1_11
https://doi.org/10.17928/jjadh.6.1_11
Autor:
Nick Redfern
Publikováno v:
Exchanges: The Interdisciplinary Research Journal. 10:21-42
This article illustrates the use of quantiles as a means of describing and comparing motion picture shot length distributions. This approach is conceptually and computationally simple and leads us to think distributionally about shot lengths rather t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d446468fa8025e15f32993241632d4d3
https://doi.org/10.31273/eirj.v10i1.853
https://doi.org/10.31273/eirj.v10i1.853
Autor:
Nick Redfern
Publikováno v:
Journal of Data Science. :43-56
In this article I analyse motion picture editing as a point process to explore the temporal structure in the timings of cuts in motion pictures, modelling the editing in 134 Hollywood films released between 1935 and 2005 as a Hawkes process with an e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7b09cf4a35016da562819480267a9c08
https://doi.org/10.6339/22-jds1055
https://doi.org/10.6339/22-jds1055
Autor:
Nick Redfern
This article analyses the function and form of acoustic startle events (ASEs) in trailers for fifty US horror films released between 2011 and 2015. There are 173 ASEs in the sample, ranging from one startle up to a maximum of ten, with a median of th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4620eb16d3b1186fe42726b45af200b9
Autor:
Nick Redfern
Publikováno v:
Research Data Journal for the Humanities and Social Sciences. :1-12
This article presents a new data set comprising audio, colour, motion, and shot length data of trailers for the fifty highest grossing horror films at the US box office from 2011 to 2015. This data set is one of the few available for computational fi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e4eea02693892cf6fa62b11cd6e447dc
https://doi.org/10.1163/24523666-bja10017
https://doi.org/10.1163/24523666-bja10017
Autor:
Nick Redfern
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 20, Iss 1, Pp 36-51 (2021)
In this article, I analyse the soundtrack of the green band trailer for Sinister (Scott Derrickson, 2012), combining quantitative methods to analyse the soundtrack with formal analysis. I show that, even though Sinister is a narrative about a demon w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7e953867811ba3513673887adbf97526
https://doaj.org/article/34af5bea08f744efa228c7ad6b11bb96
https://doaj.org/article/34af5bea08f744efa228c7ad6b11bb96