Zobrazeno 1 - 10
of 537
pro vyhledávání: '"New Interfaces for Musical Expression"'
Publikováno v:
Per Musi, Vol 40 (Thematic Session: Computing Performed Music), Iss 2020, Pp 1-20 (2021)
This paper presents the development process of TumTá, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and Pisada, a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helde
Externí odkaz:
https://doaj.org/article/79a01b23ac8143bd90113ad3c28632f6
Publikováno v:
Multimodal Technologies and Interaction, Vol 5, Iss 4, p 19 (2021)
We report on a conceptual framework for describing interactive sound installations from three complementary perspectives: artistic intention, interaction and system design. Its elaboration was informed by a systematic review of 181 peer-reviewed publ
Externí odkaz:
https://doaj.org/article/ed1d298948454d1e8b046c483b5a74b3
Autor:
Lind, Anders, Lundstedt, Lotta
This Tilde publication is the first from the Department of Creative Studies to focus on artistic research by gathering together our past, ongoing as well as future artistic research processes. The intention is to showcase the position we are currentl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______264::8bd8c51e321da88eec5fcf8e569c0cae
http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-205692
http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-205692
Autor:
Thor Magnusson, Koray Tahiroğlu
Publikováno v:
Journal of New Music Research. 50:117-120
This special issue, arising from a symposium in Helsinki in 2019, presents contributions from a diverse group of practitioners, representing a broad range of approaches in the making, thinking and writing about digital musical instruments. The author
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::117a64126f34da0e0d7e8b7d66da195a
https://doi.org/10.1080/09298215.2021.1907421
https://doi.org/10.1080/09298215.2021.1907421
Publikováno v:
NIME 2021.
In this paper we present the recent developments in the AI-terity instrument. AI-terity is a deformable, non-rigid musical instrument that comprises a particular artificial intelligence (AI) method for generating audio samples for real-time audio syn
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4215b3d4c5a3110409d4a53e80a57e6e
https://doi.org/10.21428/92fbeb44.3d0e9e12
https://doi.org/10.21428/92fbeb44.3d0e9e12
Conference
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Publikováno v:
Multimodal Technologies and Interaction, Vol 5, Iss 19, p 19 (2021)
Multimodal Technologies and Interaction
Volume 5
Issue 4
Multimodal Technologies and Interaction
Volume 5
Issue 4
We report on a conceptual framework for describing interactive sound installations from three complementary perspectives: artistic intention, interaction and system design. Its elaboration was informed by a systematic review of 181 peer-reviewed publ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ace5e5ec7d897788305ff57b017b931e
https://www.mdpi.com/2414-4088/5/4/19
https://www.mdpi.com/2414-4088/5/4/19
Autor:
Peter Williams, Daniel Overholt
Publikováno v:
Williams, P & Overholt, D 2021, ' Design and evaluation of a digitally active drum ', Personal and Ubiquitous Computing, vol. 25, pp. 783-795 . https://doi.org/10.1007/s00779-020-01391-6
Despite the ever growing variety and popularity of commercially available electronic percussion (EP) instruments, there are still a significant number of active musicians who prefer to use acoustic drums. Digitally active drum (DAD) is an enhanced sn
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::37ed3d3dc8bfd52a62d20e6aaf8b0253
https://vbn.aau.dk/da/publications/cb77a9ee-ddf5-4a78-8291-a67e019b7dca
https://vbn.aau.dk/da/publications/cb77a9ee-ddf5-4a78-8291-a67e019b7dca
Autor:
Tim Murray-Browne, Panagiotis Tigas
Publikováno v:
Applied Sciences, Vol 11, Iss 8531, p 8531 (2021)
Applied Sciences
Volume 11
Issue 18
Applied Sciences
Volume 11
Issue 18
Most Human–Computer Interfaces are built on the paradigm of manipulating abstract representations. This can be limiting when computers are used in artistic performance or as mediators of social connection, where we rely on qualities of embodied thi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8a90ef23e6b50858f9d8aeab3290ec13
http://hdl.handle.net/10044/1/91285
http://hdl.handle.net/10044/1/91285
Generative models enable possibilities in audio domain to present timbre as vectors in a high-dimensional latent space with Gen- erative Adversarial Networks (GANs). It is a common method in GAN models in which the musician’s control over timbre is
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______661::8f4fcd296efcf585638d9e99246c257e
https://aaltodoc.aalto.fi/handle/123456789/109973
https://aaltodoc.aalto.fi/handle/123456789/109973