Zobrazeno 1 - 10
of 218
pro vyhledávání: '"New Cinema"'
Autor:
Francesco Dongiovanni
Publikováno v:
Cinergie, Iss 25, Pp 173-189 (2024)
Focusing on the Pesaro Mostra Internazionale del Cinema Nuovo (MICN), the essay explores how the festival’s programming policies and organizational practices supported the so-called “new cinemas”, embedding this exploration within the frame of
Externí odkaz:
https://doaj.org/article/b8d78f0bf25b41e5bb4ea0cf05a4eb29
Autor:
Noora Kallioniemi, Aymeric Pantet
Publikováno v:
Ennen ja Nyt: Historian Tietosanomat, Vol 24, Iss 3 (2024)
Pienen maan elokuvakulttuuri on aina tiiviissä vuorovaikutuksessa laajempaan kansainväliseen kontekstiin, ja tämä pätee myös Suomeen. Toisen maailmansodan aikana elokuvatuotantoyhtiöiden oli välttämätöntä ylläpitää hyviä suhteita nats
Externí odkaz:
https://doaj.org/article/3664f89ae53e4212bc9570cfcda78464
Autor:
Markója Csilla
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 22, Iss 1, Pp 60-76 (2022)
This paper focuses on the motif of permanent crisis and the “ghost” in Tsai Ming-liang’s art through a close analysis of films such as I Don’t Want to Sleep Alone (Hei yan quan, 2006), What Time Is It There? (Ni na bian ji dian, 2001), Vive l
Externí odkaz:
https://doaj.org/article/ff721e67959c4347818ca33153d1bfdb
Autor:
Pan Yi-ling
Publikováno v:
Open Cultural Studies, Vol 5, Iss 1, Pp 284-294 (2021)
In 2008, Taiwan’s cinema began to get back on its feet after an extended lull, with several directors successively releasing critically acclaimed first works. Compared with the well-known Taiwan New Cinema, this new film trend works within the conv
Externí odkaz:
https://doaj.org/article/b7d8d5148b5640b9954a56a8e49692df
Autor:
Nedyalkova, Maya
Publikováno v:
Проблеми на изкуството / Art Studies Quarterly. (4):51-63
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1081305
Autor:
Vincent Ducatteeuw, Daniel Biltereyst, Philippe Meers, Christophe Verbruggen, Dries Moreels, Julia Noordegraaf, Sally Chambers, Pieterjan De Potter, Tamar Cachet, Nicolas Franck, Florian Deroo
Publikováno v:
Journal of Open Humanities Data, Vol 9 (2023)
New Cinema History broadened film studies by emphasising the complexity of cinema as a multifaceted phenomenon that includes the socio-economic context in which films were made, circulated, shown and received. As part of the digital turn, the discipl
Externí odkaz:
https://doaj.org/article/97549704256043189c9d38683d46f1b3
Autor:
Karina Pryt
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Iss 15 (2022)
In the first two decades, when cinema was developing worldwide from a novelty into an entertainment industry, Warsaw belonged to the multinational Romanov empire. Located at its western borders, this Polish city was an important transportation and tr
Externí odkaz:
https://doaj.org/article/dd1d86ded44b4ed5830d7ca770795901
Publikováno v:
Journal of Open Humanities Data, Vol 8 (2022)
The 'Oregon Theater Project' (OTP) dataset is part of an ongoing collaborative research project by undergraduate students enrolled in successive iterations of “Exhibition & Audiences,” a Cinema Studies course at the University of Oregon. It will
Externí odkaz:
https://doaj.org/article/ac0bedda08c9409aadb84e21299a5554
Autor:
Jamie Terrill
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 21, Pp 178-192 (2021)
Drawing upon original ethnographic research of rural Welsh audiences, this article meets a burgeoning trend within cinema history studies of reconsidering the importance that film texts can have in benefitting our understanding of social or cultural
Externí odkaz:
https://doaj.org/article/89086bbd83b44592a7e2a50048444552
Autor:
Zwierzchowski, Piotr
Publikováno v:
Kwartalnik Filmowy / Film Quarterly. (113):256-262
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=971407