Zobrazeno 1 - 10
of 62
pro vyhledávání: '"Neil H. Donahue"'
Autor:
Neil H. Donahue
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 21, Iss 1 (1997)
Gerhard Falkner, Introduced by Neil Donahue
Externí odkaz:
https://doaj.org/article/42f3e3acb75545209b031f5813dd92a5
Autor:
Neil H. Donahue
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 21, Iss 1 (1997)
This article considers Joachim Sartorius in his various cultural and literary activities as diplomat, administrator, editor, translator, and poet as a possible model for the German intellectual after reunification, and links those activities through
Externí odkaz:
https://doaj.org/article/ff0c989bc9c744198bc22967ae2ba901
Autor:
Neil H. Donahue
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 16, Iss 2 (1992)
This essay examines Rainer Maria Rilke's The Notebooks of Malte Laurids Brigge (1910) as one corner in a triangle of reciprocal influence and affinity in early twentieth-century modernity consisting of Rilke, the sociologist Georg Simmel, and the art
Externí odkaz:
https://doaj.org/article/249b664c5122420991ce7e75617896e0
Autor:
Neil H. Donahue, Doris Kirchner
During the Nazi era many German writers chose, or were forced into, exile. Many others stayed and, after the end of this period, claimed to have retreated into'Inner Emigration'. The nature of this kind of emigration and the underlying motives of the
Autor:
Neil H. Donahue
Publikováno v:
The German Quarterly. 94:460-476
Autor:
Neil H. Donahue
Publikováno v:
German Studies Review. 43:619-621
Autor:
Neil H. Donahue
Publikováno v:
Orbis Litterarum. 48:341-357
Autor:
Neil H. Donahue
Publikováno v:
arcadia - International Journal for Literary Studies. 28:291-306
La dimension japonaise de la derniere oeuvre de fiction de Frisch ; le theme du vieillissement chez Frisch et Kawabata
Autor:
Neil H. Donahue
Publikováno v:
Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte. 66:765-782
This essay examines Wilhelm Worringer’s Agyptische Kunst (1927) as a reactionary indictment of modernity in Weimar Germany that reverses exactly his influential positions in Abstraktion und Einfuhlung (1908). Worringer’s surprising parallel of an