Sonic Mobilities. Producing Worlds in Southern China. By Adam Kielman. Chicago, IL: The University of Chicago Press, 2022. 216 pp. ISBN 978-0-226-81780-4

Autor: Nathanel Amar

Publikováno v: Popular Music. :1-3

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::00af6c15e3922cfce77a4e34bb5d2a9d
https://doi.org/10.1017/s026114302200071x

Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan Meredith Schweig. Chicago: University of Chicago Press, 2022. 248 pp. $30.00 (pbk). ISBN 9780226819587

Autor: Nathanel Amar

Publikováno v: The China Quarterly. 253:285-286

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::8ded8e68c572cab9051bd952365b49e0
https://doi.org/10.1017/s0305741023000115

Radical Participation: The Politics of Performance in Chinese Punk-Rock Concerts

Autor: Nathanel Amar

Publikováno v: Fractured Scenes. Underground Music-Making in Hong Kong and East Asia
Fractured Scenes. Underground Music-Making in Hong Kong and East Asia, Springer Singapore, pp.189-203, 2021, ⟨10.1007/978-981-15-5913-6_14⟩
Fractured Scenes ISBN: 9789811559129

This chapter aims at understanding how a punk subcultural community organized itself in the People’s Republic of China (PRC) since the mid-1990s and created spaces outside the scope of the authorities. Using in-depth observations and interviews, th

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b6ce997ebfceafc0e57e95b81d14151e
https://hal.archives-ouvertes.fr/hal-03265557

Contesting and Appropriating Chineseness in Sinophone Music

Autor: Nathanel Amar

The first special issue of China Perspectives on “Sinophone Musical Worlds” (2019/3) laid the theoretical foundation for a musical approach to Sinophone studies (Amar 2019). This first issue emphasised the importance of a “place-based” analys

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::473334dc9b3c66144d8ab4ae933aff99
http://journals.openedition.org/chinaperspectives/10063

Navigating and Circumventing (Self)censorship in the Chinese Music Scene

Autor: Nathanel Amar

Publikováno v: China perspectives
China perspectives, Hong Kong : French Centre for Research on Contemporary China, 2020, 2020 (2), pp.25-33. ⟨10.4000/chinaperspectives.10107⟩

International audience; Although the case of “censorship” of Chinese hip-hop in January 2018 has led to extensive news coverage in the international press, it does not account for the multiple forms of musical censorship that exist in contemporar

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::76e95b3ed572b8fd7471cd75516bce23
https://hal.archives-ouvertes.fr/hal-03265934