Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Nathan John Martin"'
Autor:
Nathan John Martin
Publikováno v:
Journal of Music Theory. 66:147-187
The history of music theory, as it has usually been taught in the United States, has focused on a small canon of texts written mostly in Latin, Italian, French, and German. This article advocates a more expansive view of the subdiscipline's remit by
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e4472ba8f76f04df1ff4bf66bb338ecc
https://doi.org/10.1215/00222909-9930876
https://doi.org/10.1215/00222909-9930876
Autor:
Nathan John Martin
Publikováno v:
Music and Letters. 102:829-832
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9eaf93a5b1adbb37efc3b9143c7a45c8
https://doi.org/10.1093/ml/gcab090
https://doi.org/10.1093/ml/gcab090
Autor:
Nathan John Martin
Publikováno v:
Eighteenth Century Music. 18:41-64
Among its various ancient and extra-European examples, the celebrated Plate N of Jean-Jacques Rousseau's Dictionnaire de musique includes a melody of Chinese provenance. Scholars have proposed three possible sources for the melody: Jean-Joseph-Marie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::46d0df42d5aa3aa5d7dc63c019784cf4
https://doi.org/10.1017/s1478570620000615
https://doi.org/10.1017/s1478570620000615
Autor:
Nathan John Martin
Publikováno v:
Eighteenth Century Music. 16:185-188
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c5c133302c517e6eb14906e5842507e
https://doi.org/10.1017/s1478570619000125
https://doi.org/10.1017/s1478570619000125
Autor:
Nathan John Martin
Publikováno v:
Music Theory and Analysis (MTA). 6:147-175
The second in a set of review articles treating Wye Allanbrook's posthumously published Secular Commedia (University of California Press, 2014). The reviews originated as a panel discussion organized by Edmund J. Goehring at the Mozart Society of Ame
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::06a859ba836c22296ff22d5ddcaaee1c
https://doi.org/10.11116/mta.6.1.6
https://doi.org/10.11116/mta.6.1.6
Autor:
Nathan John Martin
Publikováno v:
Music Theory and Analysis (MTA). 4:111-119
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f8ac46519d5f8ca7552001e3341fac8d
https://doi.org/10.11116/mta.4.1.6
https://doi.org/10.11116/mta.4.1.6
Autor:
Nathan John Martin
Publikováno v:
Music Theory Online. 25
This essay represents a short reflection on the diverse attitudes that music theorists have taken to their past, illustrated with examples from the current literature using a scheme borrowed from Ian Hacking’s (2002) essay “Two Kinds of ‘New Hi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::02d769527d42ecbe70cedeb9ed347d88
https://doi.org/10.30535/mto.25.3.4
https://doi.org/10.30535/mto.25.3.4
Autor:
Pieter Bergé, Nathan John Martin
Publikováno v:
Music Theory and Analysis (MTA). 4:1-3
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9784e038f30df1a4bb2f24d94324abcf
https://doi.org/10.11116/mta.4.1.0
https://doi.org/10.11116/mta.4.1.0
Autor:
William E. Caplin, Nathan John Martin
Publikováno v:
Music Analysis. 35:4-43
James Hepokoski and Warren Darcy's Sonata Theory promotes a fundamental distinction between sonata expositions that are either two-part or continuous. We contend that this binary opposition misconstrues the commonality of formal procedures operative
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1f2e6cce502a312a68e49c1f8f9ad56f
https://doi.org/10.1111/musa.12060
https://doi.org/10.1111/musa.12060