Zobrazeno 1 - 10 of 17 pro vyhledávání: '"Natalie Adamson"'
1
Herbert Read, the École de Paris and Art Criticism, c . 1946
Autor: Natalie Adamson
Publikováno v: Art History. 40:904-927
Published in the first issue of a new magazine, "The Arts", in late 1946, Herbert Read's commentary on the work of French painter Edouard Pignon testifies to a confused crossroads for the Ecole de Paris. In the exhausted and uncertain situation follo
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::99e5fdaa4d1ff67eed5bcf902d6cdc18
https://doi.org/10.1111/1467-8365.12335
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2
Elektronická kniha
Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960
Autor: Natalie Adamson, Editor, Toby Norris, Editor
Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modern
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4
Black Flowers Blossom: Bachelard, Soulages and the Material Imaginary of Abstract Painting
Autor: Natalie Adamson
Publikováno v: Art History. 39:654-675
In mid-1948 the artist Pierre Soulages painted a singular suite of works on glass with tar. Experimenting with the particular qualities of the materials and the interplay between surface and ground, these paintings are the result of a process that wa
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::ac32b3d8e4a600c8b8d5339fa5fe622e
https://doi.org/10.1111/1467-8365.12264
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5
Elektronická kniha
'Painting, Politics and the Struggle for the ?ole De Paris, 1944?964 '
Autor: Natalie Adamson
Painting, Politics and the Struggle for the?ole de Paris, 1944-1964 is the first book dedicated to the postwar or'nouvelle'?ole de Paris. It challenges the customary relegation of the?ole de Paris to the footnotes, not by arguing for some hitherto'hi
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8
Vestiges of the Future: Temporality in the Early Work of Pierre Soulages
Autor: Natalie Adamson
Publikováno v: Art History. 35:126-151
The article discusses the ways in which abstract art in the post-World War II era was highly conscious of temporality through an examination of the work of French abstract painter Pierre Soulages. The way in which time is construed within these works
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::1ea130f9f437650eb8bfb2fb928219d6
https://doi.org/10.1111/j.1467-8365.2011.00873.x
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