Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Natalia Pinazza"'
Autor:
Natalia Pinazza
Publikováno v:
Significação: Revista de Cultura Audiovisual, Vol 42, Iss 44 (2015)
Este artigo explora o modo pelo qual os documentário argentino Huanacache, tierra Huarpe (Silvina Cuman e Javier Orrade, 2010) e brasileiro Vale dos esquecidos (Maria Raduan, 2012) refletem uma contranarrativa ao denunciar o racismo institucionaliza
Externí odkaz:
https://doaj.org/article/717884c0f6e44df59a4dbd25ae473410
Autor:
Natalia Pinazza
Publikováno v:
New Review of Film and Television Studies. 17:315-330
This chapter examines ways in which filmmaking becomes a self-referential theme in Argentine films in the neoliberal era. Three films will be referred to: Adolfo Aristarain’s Martin (hache) from 19...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f4ef1131b0a2a169938c0ffa9883bae8
https://doi.org/10.1080/17400309.2019.1622887
https://doi.org/10.1080/17400309.2019.1622887
Autor:
Louis Bayman, Natalia Pinazza
Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.
Autor:
Natália Pinazza
The history of Brazil is marked by the transfer of the Portuguese crown to Rio de Janeiro and the declaration of its independence in 1822 whereas African colonies underwent the Colonial War in the 1960s and 1970s in the context of the Portuguese Esta
Autor:
Natalia Pinazza
Publikováno v:
Journal of Latin American Cultural Studies. 21:437-448
This article discusses how national and diasporic identity is negotiated in El abrazo partido (Daniel Burman, 2004) as part of an investigation into how the film engages with its own categorisation as an Argentine Jewish film. Through the protagonist
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7b145f8fe64ce70198a7cc601703113e
https://doi.org/10.1080/13569325.2012.711750
https://doi.org/10.1080/13569325.2012.711750
Autor:
Natalia Pinazza
Many South American films that use the popular road movie format to examine regional culture and attitudes, especially in Argentina and Brazil. Pinazza performs a careful cultural analysis of the films and investigates how road movies deal with narra
Autor:
Louis Bayman, Natalia Pinazza
Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves. This volume seeks to introduce newcomers to Br
Autor:
Natalia Pinazza, Louis Bayman
São Paulo is the largest city in South America and the powerhouse of Brazil's economy. A multi-racial metropolis with a diverse population of Asian, Arabic and European immigrants as well as migrants from other parts of Brazil, it is a global city w
Autor:
Natalia Pinazza
Publikováno v:
Journeys in Argentine and Brazilian Cinema
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5a18b793e998c0de80b42eeb6e18ca15
https://doi.org/10.1057/9781137336040
https://doi.org/10.1057/9781137336040
Autor:
Natália Pinazza
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 1, Pp 8-20 (2011)
This article examines Sandra Kogut’s The Hungarian Passport (2001) in the light of recent theoretical debates on diasporic and postcolonial filmmaking. It focuses on how Kogut’s displacement—both as the granddaughter of Jewish refugees and a fo
Externí odkaz:
https://doaj.org/article/b317d1b03bf74ddbae41b1095dc584b0