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pro vyhledávání: '"Natalia B Kirillova"'
Autor:
Natalia B. Kirillova
Publikováno v:
Галактика медиа: журнал медиа исследований, Vol 4, Iss 4, Pp 295-308 (2022)
The research object is the evolution of the main strategic concepts that determine the impact of information technologies on the socio-cultural development of society at the turn of the 20th and 21st centuries and lay the foundations of a new humanit
Externí odkaz:
https://doaj.org/article/5539ea4317204bfe96935d94a54e5644
Autor:
Natalia B. Kirillova
Publikováno v:
Журнал Белорусского государственного университета: История, Iss 4, Pp 63-71 (2022)
The object of research is the phenomenon of the mask as a unique phenomenon of culture. The subject of analysis is the symbolism of the mask as a medium and a mythological code in different historical eras determined by certain socio-cultural trends.
Externí odkaz:
https://doaj.org/article/f2d6a13285f642ea9efdb140ede588c2
Autor:
Natalia B. Kirillova
Publikováno v:
Changing Societies & Personalities, Vol 4, Iss 4, Pp 427-440 (2020)
Externí odkaz:
https://doaj.org/article/8c1aa288661c4ce2b1d3344198d95847
Autor:
Natalia B. Kirillova
Publikováno v:
Observatory of Culture. 16:536-541
The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kon
Autor:
Natalia B Kirillova
Publikováno v:
Journal of Flm Arts and Film Studies. 10:38-48
Ivan Aleksandrovich Pyryev passed away fifty years ago. However, for all these years he did not become a purely historical figure, his films have not gone into nothingness, disputes about his personality and creation have not ceased. The director, sc
Autor:
Natalia B Kirillova
Publikováno v:
Journal of Flm Arts and Film Studies. 8:84-96
The author explores important aspects in the development of Russian post-Soviet film art, basing on the Ural school of cinema, which sprang into being in 1943 with the start of Sverdlovsk Film Studios. The "golden age" of Ural cinema unfolded in the