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pro vyhledávání: '"Nadine Meisner"'
Autor:
Nadine Meisner
Publikováno v:
Journal of European Studies. 48:107-109
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::294d8c7149de54c41f1e237fb15811f9
https://doi.org/10.1177/0047244118756213t
https://doi.org/10.1177/0047244118756213t
Autor:
Nadine Meisner
Publikováno v:
Marius Petipa
After Petipa’s marriage to his first muse, Maria Surovshchikova, and the death in Russia of his father, Jean, chapter 4 travels back in time to trace Jean’s career as a ballet master in Marseilles and in Brussels at the Théâtre de la Monnaie. I
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0aa69fc90fc5e52220e79d00b74fd3ce
https://doi.org/10.1093/oso/9780190659295.003.0005
https://doi.org/10.1093/oso/9780190659295.003.0005
Autor:
Nadine Meisner
On 24 May 1847, I reached St Petersburg by ship, and since that time have been employed by the Imperial Theatre. Sixty years of service in one place, in one institution, is quite rare, and a destiny not granted to many mortals. 1 MARIUS PETIPA’S DE
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1cb9d14042a487a5e4e50a54b7067a4e
https://doi.org/10.1093/oso/9780190659295.003.0001
https://doi.org/10.1093/oso/9780190659295.003.0001
Autor:
Nadine Meisner
Publikováno v:
Marius Petipa
After a description of Petipa’s home life and six children with his new partner, Liubov Savitskaya, chapter 7 continues the previous chapter’s subject of Petipa’s aesthetic. It examines his working methods, his dance language, the importance of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::53bc1ef077276779d089a20496395841
https://doi.org/10.1093/oso/9780190659295.003.0008
https://doi.org/10.1093/oso/9780190659295.003.0008
Autor:
Nadine Meisner
Publikováno v:
Marius Petipa
The principle focus of chapter 6 is aesthetic, examining Petipa’s structures and devices; most of his big ballets fitted the same model started by The Pharaoh’s Daughter. As part of the tendency for ever-bigger scale and precedence of dance over
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bdf634981fb69670c5f6860cf3fdb1a9
https://doi.org/10.1093/oso/9780190659295.003.0007
https://doi.org/10.1093/oso/9780190659295.003.0007
Autor:
Nadine Meisner
Born two hundred years ago in Marseilles, Marius Petipa spent more than sixty years in Imperial Russia as a ballet master, serving directly under the eye of the Emperor. He became the greatest choreographer of the nineteenth century, creating a quant
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a759470fe0b65fe17ee55d6b3e13ee7d
https://doi.org/10.1093/oso/9780190659295.001.0001
https://doi.org/10.1093/oso/9780190659295.001.0001
Autor:
Nadine Meisner
Publikováno v:
Marius Petipa
This chapter deals with the Tchaikovsky and Glazunov collaborations and the late-flowering of Petipa’s genius, facilitated by Ivan Vsevolozhsky. At the age of seventy-two, Petipa created his greatest ballet, The Sleeping Beauty, and, with Lev Ivano
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aace1fea94c30dfd0e05ad05e070146d
https://doi.org/10.1093/oso/9780190659295.003.0010
https://doi.org/10.1093/oso/9780190659295.003.0010
Autor:
Nadine Meisner
In recent times there has been a re-evaluation of artistic values in all areas of art, views on art have changed in many ways, new trends have appeared and the ballets of Petipa have, of course, receded into the background. But the merit of Petipa ha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6ab0bb5177d669c2ee972c5ade89d2e5
https://doi.org/10.1093/oso/9780190659295.003.0012
https://doi.org/10.1093/oso/9780190659295.003.0012
Autor:
Nadine Meisner
Publikováno v:
Marius Petipa
Chapter 10 records the arrival of Teliakovsky as the new director. Championing the new artistic ideas that were flourishing in Moscow, he wanted to bring these to sclerotic St Petersburg where the flop of Petipa’s last big ballet, The Magic Mirror,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e175a296271dbf91d6cfae08cfb5aa6d
https://doi.org/10.1093/oso/9780190659295.003.0011
https://doi.org/10.1093/oso/9780190659295.003.0011