Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Nadia Maftouni"'
Autor:
Nadia Maftouni
Publikováno v:
Journal of Philosophical Investigations, Vol 18, Iss 48, Pp 309-318 (2024)
Developing the empirical method based on observation and experiment, Alhazen is considered the greatest Muslim physicist and the most significant figure in the history of optics between antiquity and the seventeenth century. Inventing a camera obscur
Externí odkaz:
https://doaj.org/article/072c9c25330b4e5ea3b98f7f1570558d
Publikováno v:
حکمت سینوی, Vol 27, Iss 70, Pp 103-113 (2023)
The concept of ‘familiar knowledge’ in Farabi's philosophy and ‘imaginative mental appetites’ in Ibn Sina's works both address the role of desire in theoretical wisdom and at the level of perception. The association of tranquility of the soul
Externí odkaz:
https://doaj.org/article/071087cfee1345279bf796fec32ca292
Publikováno v:
Journal of Philosophical Investigations, Vol 16, Iss 41, Pp 302-309 (2022)
Does it sound plausible to obtain a strategy for global peace in Farabi’s political philosophy? Put another way, could we procure a common language leading to peace among all cultures and religions, according to Farabi? Farabi’s utopia (al-madīn
Externí odkaz:
https://doaj.org/article/e4c4b1a7dfb949e487a0bc3b9e54c56a
Autor:
Nadia Maftouni
Publikováno v:
Journal of Philosophical Investigations, Vol 15, Iss 36, Pp 319-327 (2021)
Abu Nasr Farabi focuses on influence of the music on emotions and emotional problems including extreme emotions and moods. But how effective is music in changing a specific emotional issue? This essay reports what is probably the first scientific stu
Externí odkaz:
https://doaj.org/article/7065450645cd4a94b71fcfd7f7afb979
Autor:
Nadia Maftouni, Edris Mahmoud
Publikováno v:
Journal of Philosophical Investigations, Vol 14, Iss 32, Pp 109-116 (2020)
Considered the second face of Illumination philosophy after the Shaykh al-Ishraq Suhrawardi (1154-1191), Muhammad Ibn Mahmud Shams al-Din al-Shahrazuri (d. after 1288), in most part, hold fast to Suhrawardi’s illuminationist doctrines. As a case st
Externí odkaz:
https://doaj.org/article/bbce02ae7b3a4b59a3418356d59947fc
Autor:
Nadia Maftouni
Publikováno v:
Pensamiento. Revista de Investigación e Información Filosófica, Vol 75, Iss 283 S.Esp, Pp 543-551 (2019)
In his remarkable feat, Andalusian ibn Tufail the physician and novelist, identifies and elaborates the issues of human anatomy, autopsy, and vivisection and, thereby, constitutes a scientartist. Scientart might be defined as an interaction between t
Externí odkaz:
https://doaj.org/article/3585fce490be49499a3cc1ac3642a00b
Autor:
Nadia Maftouni, Mahmoud Nuri
Publikováno v:
حکمت سینوی, Vol 22, Iss 59, Pp 27-40 (2018)
n various and sundry works, Farabi and Avicenna turn to art, its objectivity, and miscellaneous functions. In their writings, art’s aims and functions become pronounced; however, art’s goals and applications can be deduced from their theory of im
Externí odkaz:
https://doaj.org/article/1073a0ba5b6741eca41e2fbb82bbba1d
Autor:
Nadia Maftouni
Publikováno v:
Journal of Philosophical Investigations, Vol 11, Iss 21, Pp 81-91 (2017)
Ibn Tufail as a scientist as well as an artist exposes the issues of human anatomy, autopsy, and vivisection and, thereby, could be regarded as a SciArtist. SciArt might be defined as a reciprocal relation between art and science. Followings are the
Externí odkaz:
https://doaj.org/article/3fcf8c03ce12417e802992a4a59e7b32
Autor:
nadia maftouni
Publikováno v:
حکمت و فلسفه, Vol 8, Iss 32, Pp 81-88 (2012)
Fārābī discusses art in two levels: art as it is, and art as it should be or the utopian art. Considering art as it is includes desirable and undesirable arts. But the utopian art or art as the working of the utopian artist consists only of desira
Externí odkaz:
https://doaj.org/article/288c5efa3e6249e5a0faae7ad750b8fd
Autor:
Nadia Maftouni
Publikováno v:
History of Philosophy. 24:31-38
The methodology of Farabi’s political philosophy can be discovered through his informal logic.Farabi’s logic, in its informal modules, encompasses five techniques of demonstration: proof, dialectics,fallacy, rhetoric, and poetry. Obviously, proof
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1e11915c7b53585add8da98eebe5dff3
https://doi.org/10.21146/2074-5869-2019-24-2-31-38
https://doi.org/10.21146/2074-5869-2019-24-2-31-38