Zobrazeno 1 - 10 of 39 pro vyhledávání: '"Nadège Langbour"'
1
Akademický článek
The labyrinth as a metadiscursive motif in Christian Grenier's literary creation
Autor: Nadège Langbour
Publikováno v: Cahiers ERTA, Vol 2024, Iss 1, Pp 9-26 (2024)
The labyrinth motif appears regularly in Christian Grenier's novels. In diegesis, it is always linked to myth and the fates of Daedalus, Theseus and Ariadne. It is also a diegetic motif that structures the setting, organizes the characters' quest and
Externí odkaz: https://doaj.org/article/37df280493e04334a6b3e1fcde8002cc
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2
Akademický článek
Les dragons dans Harry Potter : entre réinvestissement des archétypes et réflexion éthico-écologique sur le rapport de l’homme et de l’animal
Autor: Nadège Langbour
Publikováno v: Iris, Iss 42 (2022)
Les dragons présents dans l’univers magique imaginé par J. K. Rowling s’inscrivent dans la lignée des créatures légendaires telles qu’elles sont évoquées dans la littérature romanesque médiévale : monstres reptiliens ailés cracheurs
Externí odkaz: https://doaj.org/article/9696ac0f166748538fc9cf9a31f289a9
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3
Akademický článek
Diderot as the critique of art and the translation of time and place: from the pictural composition to the literary decomposition / recomposition
Autor: Nadège Langbour
Publikováno v: Studia Litterarum, Vol 3, Iss 2, Pp 26-37 (2018)
In his reflections on painting, Diderot as a theoretician of fine arts explains that the painter must respect the unity of time and place for the paintings to be thematically and aesthetically solid. However, the unities present a problem for Diderot
Externí odkaz: https://doaj.org/article/1b697e02d6774bee9f8d2e28a9191deb
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4
Akademický článek
LE PARADOXE DU CRITIQUE D’ART: LA TENSION ENTRE PATHÉTIQUE ET IRONIE DEVANT LES TABLEAUX TOUCHANTS [PARADOX AS THE CRITIQUE OF ART: TENSION BETWEEN PATHOS AND IRONY OF THE 'TOUCHING' PAINTINGS]
Autor: Nadège Langbour
Publikováno v: Studia Litterarum, Vol 1, Iss 3-4, Pp 112-121 (2016)
In his Salons, Denis Diderot pays special attention to “touching,” pathetic paintings, and his interest to J.-B. Greuze’s art is evidence to that. When Diderot turns to describe Greuze’s canvases or genre painting of J.-B. Le Prince or P. A.
Externí odkaz: https://doaj.org/article/c22bfeb125a24e2887bd5f32d3b59cf8
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5
Akademický článek
L’hypopeinture greuzienne et ses palimpsestes narratifs au XVIIIe siècle
Autor: Nadège Langbour
Publikováno v: Quêtes Littéraires, Iss 5 (2015)
In the 18th century, the paintings of Greuze had much success. The literature took against these paintings. It transposed them in narrative texts. Diderot and Aubert, described paintings of Greuze by using the literary kind of the moral tale. Thus, t
Externí odkaz: https://doaj.org/article/5131d19528fa4b88bc18071f839886cd
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7
Diderot’s synaesthesias: the omnipresence of the hearing in Diderot’s pictorial criticism
Autor: Nadège Langbour
Publikováno v: Cahiers ERTA. :9-31
To respond to an order from his friend Grimm who publishes the Correspondance littéraire, Diderot writes, between 1759 and 1781, nine accounts of the painting and sculpture exhibitions taking place at the Louvre. In his art critic, Diderot often use
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::2dedea73250116040f1167e8a67c3630
https://doi.org/10.4467/23538953ce.20.021.13545
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