Zobrazeno 1 - 10
of 57
pro vyhledávání: '"Mosusova Nadežda"'
Autor:
Mosusova, Nadežda
Publikováno v:
Muzički talas / Musical Wave. 24(47):2-11
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=737254
Autor:
Mosusova Nadežda
Publikováno v:
Muzikologija, Vol 2018, Iss 25, Pp 119-131 (2018)
The prominent Serbian and Yugoslav composer Petar Konjović (1883-1970) wrote five operas between 1900 and 1960. Konjović’s operatic opus represents his homeland and his spiritual spectrum: in the first place, indelible memories of his childhoo
Externí odkaz:
https://doaj.org/article/7bd0b092ec30484092f650ae827515e9
Autor:
Mosusova, Nadežda
Einleitung: Inhalt des Stücks Die Pantomime oder Ballett-Pantomime Der Schleier der Pierrette von Arthur Schnitzler mit der Musik von Ernst von Dohnányi wurde im November 1908 vollendet. Diese Pantomime in drei Bildern entstand nach Schnitzlers fü
Externí odkaz:
https://ul.qucosa.de/id/qucosa%3A70760
https://ul.qucosa.de/api/qucosa%3A70760/attachment/ATT-0/
https://ul.qucosa.de/api/qucosa%3A70760/attachment/ATT-0/
Autor:
Mosusova, Nadežda
Publikováno v:
Театрон / Teatron. (170-171):157-159
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=759097
Autor:
Mosusova, Nadežda
Wie hatten sie es sich überhaupt vorgestellt, die beiden Künstler, der Komponist und der Librettist, damals ein solch bissiges Stück wie Der goldene Hahn auf irgendeine offizielle russische Bühne zu bringen? Aber es gelang, was der Zimin-Produkti
Externí odkaz:
https://ul.qucosa.de/id/qucosa%3A16161
https://ul.qucosa.de/api/qucosa%3A16161/attachment/ATT-0/
https://ul.qucosa.de/api/qucosa%3A16161/attachment/ATT-0/
Autor:
Mosusova Nadežda
Publikováno v:
Muzikologija, Vol 2008, Iss 8, Pp 151-163 (2008)
Petar Konjović (Čurug, May 5, 1883 - Belgrade, October 1, 1970) stands out among Serbian composers as an author of instrumental and vocal compositions. Studies at the Prague Conservatory (1904-1906) acquainted Konjović with Czech music, Wagner's o
Externí odkaz:
https://doaj.org/article/56cfe8d02e4f45cdb06d8cbb3ef98488
Autor:
Mosusova Nadežda
Publikováno v:
Muzikologija, Vol 2005, Iss 5, Pp 85-99 (2005)
The junction of the nineteenth and twentieth centuries in Europe sharpened the clash of artistic novelties in the Western and Slavonic worlds, caused by developed Symbolism and Expressionism. As an output of the former reappeared in the "Jahrhundertw
Externí odkaz:
https://doaj.org/article/91981277457942f696f4390f3ecbe8cd
Autor:
Mosusova Nadežda
Publikováno v:
Muzikologija, Vol 2004, Iss 4, Pp 113-120 (2004)
The premise of musicality of Beckett’s short dramas contains more questions than answers. Is the musicality of text present only in the work of Samuel Beckett? Do only the (musical) stage remarks in Beckett’s dramas suggest the idea of musicality
Externí odkaz:
https://doaj.org/article/06fe8172b9c843f6b153fb1fb728bca9
Autor:
Mosusova Nadežda
Publikováno v:
Muzikologija, Vol 2003, Iss 3, Pp 81-113 (2003)
Leonid (1867-1937) and Rimma (1877-1959) Brailowsky brought to Belgrade National theatre (together with other Russian emigrated stage and costume designers) the spirit of the World of Art (Mir Iskusstva), making décor and costumes for 18 performance
Externí odkaz:
https://doaj.org/article/4553242faefb40a6af9b0cf3a5a5f718