Zobrazeno 1 - 3
of 3
pro vyhledávání: '"Monument to Mouzinho de Albuquerque"'
Autor:
Verheij, Gerbert
Publikováno v:
RIHA Journal, Vol 0065 (2013)
In 1940, a monument to Mouzinho de Albuquerque is inaugurated in the former capital of the Portuguese Colony of Mozambique, Lourenço Marques. The result of a lenghty commissioning process, this homage to one of the main heroes of the colonial panthe
Externí odkaz:
https://doaj.org/article/1f29e43217ef4db592b8c5ed620e0088
Autor:
Gerbert Verheij
Publikováno v:
RIHA Journal, Vol 0065 (2013)
Gerbert Verheij
Gerbert Verheij
In 1940, a monument to Mouzinho de Albuquerque is inaugurated in the former capital of the Portuguese Colony of Mozambique, Lourenço Marques. The result of a lenghty commissioning process, this homage to one of the main heroes of the colonial panthe
Autor:
Verheij, Gerbert
Publikováno v:
On the W@terfront, Iss 20 (2012)
On the W@terfront; No 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
On the W@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No. 20 (2012): A postcolonial gaze on monumentality. Issues on theory and interdisciplinarity III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Núm. 20 (2012): Una mirada postcolonial sobre la monumentalidad. Cuestiones de teoría e interdisciplinariedad III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No. 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; N. 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; n. 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
RCUB. Revistas Científicas de la Universidad de Barcelona
instname
On the W@terfront; No 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
On the W@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No. 20 (2012): A postcolonial gaze on monumentality. Issues on theory and interdisciplinarity III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Núm. 20 (2012): Una mirada postcolonial sobre la monumentalidad. Cuestiones de teoría e interdisciplinariedad III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; No. 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; N. 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; n. 20 (2012): Una mirada postcolonial sobre la monumentalitat. Temes sobre teoria i interdisciplinarietat III; 11-54
RCUB. Revistas Científicas de la Universidad de Barcelona
instname
Lourenço Marques, actual Maputo (Mozambique), is subjected to a series of aesthetic interventions in its public space during the 1930s e 1940s. These seek to “monumentalize” and “portugalize” the city, responding to its recently acquired sta