Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Montserrat Pàmies-vilà"'
Publikováno v:
Frontiers in Psychology, Vol 9 (2018)
Articulation on the clarinet is achieved by a combination of precise actions taking place inside the player's mouth. With the aim to analyse the effects of tonguing and blowing actions during playing, several physical variables are measured and param
Externí odkaz:
https://doaj.org/article/0434de5630184c36a4ad312b90643147
Publikováno v:
The Journal of the Acoustical Society of America. 153:A198-A198
In bowed-string instruments, the force exerted by the string on the bridge may be used for analyzing the excitation process. This force is caused by the vibration of the string due to the musician's bowing action. The dynamic component of this force
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fcd0331ddeb56d0e813adbd3fdee7376
https://doi.org/10.1121/10.0018648
https://doi.org/10.1121/10.0018648
Publikováno v:
The Journal of the Acoustical Society of America. 152:R3-R4
The Reflections series takes a look back on historical articles from The Journal of the Acoustical Society of America that have had a significant impact on the science and practice of acoustics.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8d339e051a174e12df9521050aa707e7
https://doi.org/10.1121/10.0012989
https://doi.org/10.1121/10.0012989
Publikováno v:
Proceedings of Meetings on Acoustics.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f41ebcd4d10e4e794ffff065c1408d0c
https://doi.org/10.1121/2.0001677
https://doi.org/10.1121/2.0001677
Publikováno v:
Proceedings of meetings on acoustics
Fourth Vienna Talk on Music Acoustics, Vienna, Austria, 11-14 September, 2022
Fourth Vienna Talk on Music Acoustics, Vienna, Austria, 11-14 September, 2022
Along with the skill set and the anatomy of the saxophonist, the design of the mouthpiece is a determining factor for the eventual performance of the instrument. Hence, the expectations and needs of saxophone mouthpieces are diverse and personal. The
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1c6ef813841cd1cb32b7332f9958c6fd
https://repository.uantwerpen.be/docstore/d:irua:15904
https://repository.uantwerpen.be/docstore/d:irua:15904
Publikováno v:
Journal of New Music Research
When playing single-reed woodwind instruments, players can modulate the spectral content of the airflow in their vocal tract, upstream of the vibrating reed. In an empirical study with professional clarinettists (Np=11), blowing pressure and mouthpie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::714f232103f5ce15e2eb30b888795a1d
http://europepmc.org/articles/PMC7077444
http://europepmc.org/articles/PMC7077444
Publikováno v:
The Journal of the Acoustical Society of America. 152:A82-A82
Transients are generally identified according to a user dependent set of standards—for example, one could choose a threshold that is defined between 10% and 90% of the max mouthpiece pressure or 20%–80%. However, this choice is always at the rese
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e40b41e211fb1f0f6f4d514caa34ef8a
https://doi.org/10.1121/10.0015620
https://doi.org/10.1121/10.0015620
Autor:
Vasileios Chatziioannou, Montserrat Pàmies-Vilà, Jouke Verlinden, Gaetano Cascini, Mehmet Ozdemir
Publikováno v:
Acta Acustica
Acta Acustica, Vol 5, p 46 (2021)
Acta Acustica, Vol 5, p 46 (2021)
Saxophonists have different expectations from the saxophone mouthpiece, as it significantly affects the playability and the sound of the instrument. A mass personalization paradigm provides unique products to cater to their needs, using the flexibili
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4a3e1223464f472a8b1cae6303f416b4
https://hdl.handle.net/11311/1188541
https://hdl.handle.net/11311/1188541
Publikováno v:
The Journal of the Acoustical Society of America. 150:A97-A97
In string instruments, while the vibrations of the wooden bodies can be mostly described as linear, the excitation mechanism is usually nonlinear. For instance, the frictional forces that excite bowed-string instruments have undergone both theoretica
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e60b826bf1285481ab15ada0017b2e66
https://doi.org/10.1121/10.0007749
https://doi.org/10.1121/10.0007749
Publikováno v:
The Journal of the Acoustical Society of America. 145:1677-1677
Articulation on woodwind instruments is achieved inside the player’s mouth, where the tongue interacts with the vibrating reed, while the player adjusts the blowing pressure, the lip force, and the vocal tract configuration. The performed articulat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::289a353f8bbbabde16dc74fd40c0adf3
https://doi.org/10.1121/1.5101151
https://doi.org/10.1121/1.5101151