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of 86
pro vyhledávání: '"Monterrubio Ibáñez, Lourdes"'
Autor:
Monterrubio Ibáñez, Lourdes
Publikováno v:
Studies in European Cinema; Jun2024, Vol. 21 Issue 2, p107-127, 21p
Akademický článek
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Autor:
Monterrubio Ibáñez, Lourdes
This article aims to analyse women’s essay films in Francophone Europe, exploring the presence of a gendered audiovisual thinking process and considering both the formal aspect and the thematic dimension. The research allows the characterisation of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2659::33d6cfb5f41f8cd943d736c803fb6210
https://zenodo.org/record/8150169
https://zenodo.org/record/8150169
Autor:
Monterrubio Ibáñez, Lourdes
Publikováno v:
Visual Studies. Sep-Dec 2021, Vol. 36 Issue 4/5, p435-449. 15p.
Autor:
Monterrubio-Ibáñez, Lourdes
Publikováno v:
Arte, Individuo y Sociedad; oct-dic2023, Vol. 35 Issue 4, p1377-1395, 19p
Autor:
Monterrubio Ibáñez, Lourdes1 loumonte@ucm.es
Publikováno v:
Communication & Society. 2020, Vol. 33 Issue 1, p15-28. 14p.
Autor:
Monterrubio Ibáñez, Lourdes
This article aims to carry out an analysis of the spectatorial position as a thinking space for the contemporary essay film based on the comparative study of two Francophone films: Face aux fantômes (Jean-Louis Comolli and Sylvie Lindeperg, 2009) an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2659::557a5e13ee951641dbdda8ace5947205
https://zenodo.org/record/6866490
https://zenodo.org/record/6866490
Autor:
Monterrubio Ibáñez, Lourdes, Català Domènech, Josep Maria, Rascaroli, Laura, Kouvaros, George, Bacqué, Bertrand
Born out of modern cinema, the essay film departed from the dominant forms of fiction and documentary cinema in order to explore an unknown territory defined by subjectivity, hybridization and reflection, evolving to become “a form that thinks,”
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::97635331de4d23cfba6386fe542e4ab8
Autor:
Monterrubio Ibáñez, Lourdes
Publikováno v:
New Review of Film and Television Studies
New Review of Film and Television Studies, Taylor & Francis (Routledge), In press
New Review of Film and Television Studies, Taylor & Francis (Routledge), In press
International audience; The materialization of autofiction in cinematic practice allows a new identification, adding to the literary author-narrator-character that of the actor. The filmmaker then plays himself generating multiple and interesting pro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::8e0af173c28ca0da047e346f9794c082
https://hal.archives-ouvertes.fr/hal-03191367v2/document
https://hal.archives-ouvertes.fr/hal-03191367v2/document
Autor:
Monterrubio Ibáñez, Lourdes
Publikováno v:
Escritura e imagen
Escritura e imagen, 2021, 17, pp.197-216. ⟨10.5209/esim.78941⟩
Escritura e imagen, 2021, 17, pp.197-216. ⟨10.5209/esim.78941⟩
International audience; This article aims to analyse Roland Barthes’ texts on film practice. His resistance to cinema, linked to his autobiographical writing, is revealed as the impossibility of fetishizing the moving image, which must then be redu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::bbcc703f401670f064d2eaa5c7e7fcc4
https://hal.archives-ouvertes.fr/hal-03475932
https://hal.archives-ouvertes.fr/hal-03475932