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Autor:
Mona Hadler
In the early sixties, crowds gathered to watch rites of destruction - from the demolition derby where makeshift cars crashed into each other for sport, to concerts where musicians destroyed their instruments, to performances of self-destructing machi
Autor:
Mona Hadler, Kalliopi Minioudaki
Pop Art and Beyond foregrounds the roles of gender, race, and class in encounters with Pop during the Long Sixties. Exploring the work of over 20 artists from 5 continents, it offers new perspectives on Pop's heterogeneity. Featuring an array of rigo
Autor:
Mona Hadler
Publikováno v:
Visual Merchandising
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::044ffbab9a1c7114f9fe4ca0edb2514e
https://doi.org/10.4324/9781315084220-5
https://doi.org/10.4324/9781315084220-5
Autor:
Mona Hadler
Publikováno v:
Source: Notes in the History of Art. 21:38-43
Autor:
Mona Hadler
Publikováno v:
Art Journal. 53:56-61
In other days there were the “mouth of truth” and the lion's mouths of the Venetian Inquisition, then, there is the terror of the yawning mouths of cannons, of violent craters, of windows opened to receive your flight without return, and the jaws
Autor:
Joan Marter, Mona Hadler
Publikováno v:
Art Journal. 53:6-14
The 1994 fifty-year anniversary of the D day invasion of Normandy, the success of the controversial 1993 film Schindler's List, and the 1993 opening of the Holocaust Museum in Washington, D.C., are all clear indications that World War II still remain